BEGIN:VCALENDAR
PRODID:-//Grails iCalendar plugin//NONSGML Grails iCalendar plugin//EN
VERSION:2.0
CALSCALE:GREGORIAN
METHOD:PUBLISH
BEGIN:VEVENT
DTSTAMP:20260609T221151Z
DTSTART;TZID=Europe/London:20130630T100000
DTEND;TZID=Europe/London:20130630T100000
SUMMARY:Faith\, Film and Philosophy: Of Fairy-stories\, Fantasy and Myth
UID:20260612T053009Z-iCalPlugin-Grails@philevents-web-bd7db559-gt5qm
TZID:Europe/London
LOCATION:Spokane\, United States
DESCRIPTION:<p>Gonzaga University&rsquo\;s Faith and Reason Institute and Whitworth&nbsp\;University&rsquo\;s Weyerhaeuser Center for Faith and Learning are pleased to&nbsp\;announce their Seventh Annual Seminar on Faith\, Film and Philosophy\,&nbsp\;entitled &ldquo\;Of Fairy-stories\, Fantasy and Myth.&rdquo\; The past decade has&nbsp\;seen film adaptations of J.R.R. Tolkien&rsquo\;s The Lord of the Rings\, as&nbsp\;well as three of C.S. Lewis&rsquo\;s &ldquo\;Chronicles of Narnia\,&rdquo\; and\, most&nbsp\;recently\, Tolkien&rsquo\;s The Hobbit. Although the immediate inspiration for&nbsp\;our seminar is the release of the first part of Peter Jackson&rsquo\;s&nbsp\;cinematic treatment of The Hobbit\, our interest is neither solely nor&nbsp\;primarily in Jackson&rsquo\;s films. Instead\, we wish to explore a variety of&nbsp\;cinematic treatments of myth\, fairy-story\, and fantasy\, and to explore&nbsp\;philosophical and religious questions raised by such films. The Star&nbsp\;Wars saga\, the various incarnations of the world of Star Trek\, the&nbsp\;imaginative world of Pan&rsquo\;s Labyrinth\, the Narnia films\, Snow White and&nbsp\;the Huntsman\, Prometheus\, Wrath of the Titans\, How to Train Your&nbsp\;Dragon\, Arrietty\, Ponyo\, Hugo\, Shrek\, Knowing\, The Road\, After&nbsp\;Earth&hellip\;.These are but some of the films that fall within the purview of&nbsp\;our seminar. Even apart from the content of these films\, the genres&nbsp\;touched upon in our title raise very general questions about art\,&nbsp\;reality\, meaning\, and truth. For example\, is film an appropriate art&nbsp\;form for mythopoesis? What is the nature of the reality portrayed in&nbsp\;these films? What truth\, if any\, can films of this sort explore or&nbsp\;convey?</p>\n<p>Possible topics for seminar papers include the following\, although&nbsp\;proposals on other topics or questions of relevance are certainly&nbsp\;welcome and encouraged.<br><br></p>\n<ul>\n<li>What constitutes a literary fantasy?</li>\n<li>What motivates literary fantasies? Is there a psychological payoff?&nbsp\;If so\, what is it?</li>\n<li>What is the underlying neurological basis for fantasy? Why do we&nbsp\;fantasize in the first place and what evolutionary value might this&nbsp\;have?</li>\n<li>Gender identity in fantasy and science fiction.</li>\n<li>Social functions of fantasy literature\, including political&nbsp\;functions.</li>\n<li>Cinematic treatments of sexual fantasies.</li>\n<li>Revenge fantasies.</li>\n<li>Heroic figures and our fantasies of being like them. (What do Iron&nbsp\;Man and I have in common?)</li>\n<li>Fantasies of the end of the world\, their characteristics and&nbsp\;functions.</li>\n<li>Fantasies and reality: since most fantasies are never realized in&nbsp\;actuality\, why do we keep having them?</li>\n<li>What&rsquo\;s the difference between a fantasy\, whether literary and filmic&nbsp\;and outright hallucination or delusion?</li>\n<li>Criticisms of the work of Peter Jackson.</li>\n<li>Epistemological issues: what can be known by means of a fantasy that&nbsp\;might not be known otherwise?</li>\n<li>The Life of Pi as fantasy.</li>\n<li>Fantasy and possible worlds.</li>\n</ul>\n<p>We are particularly interested in popular films from the last 20&nbsp\;years\, although the program committee will certainly consider&nbsp\;exceptions to the 20-year rule.<br><br>Seminar sessions will take place on Friday (October 11th) and Saturday&nbsp\;(October 12th). Public lectures and other events associated with the&nbsp\;seminar will take place in the days leading up to the seminar. One of&nbsp\;the public lectures will be on the evening of October 11th\, when one&nbsp\;of our invited speakers will give a keynote address. The invited&nbsp\;speakers include Michael Foley (Baylor University)\, Richard McClelland&nbsp\;(Gonzaga University)\, and Katherin Rogers (University of Delaware).&nbsp\;These invited speakers will also participate as resident &ldquo\;experts&rdquo\;&nbsp\;during the seminar discussions.</p>\n<p>The seminar and its associated public events are part of a series of&nbsp\;jointly-sponsored programs focused on &ldquo\;Faith\, Reason and Popular&nbsp\;Culture.&rdquo\; &nbsp\;The conviction behind these programs is that if Christian&nbsp\;institutions of higher learning are to respond properly to their&nbsp\;charge to be places where faith seeks understanding\, then they must&nbsp\;engage contemporary popular culture. Film is among the most powerful&nbsp\;and important forms of popular culture.&nbsp\;Thus\, the seminar organizers&nbsp\;seek scholars who will engage in two days of discussion investigating&nbsp\;issues of faith and philosophical import raised by contemporary&nbsp\;popular film. Presenters need not have any formal academic&nbsp\;appointment.</p>\n<p>Proposals not longer than two pages (double-spaced)\, and in Word&nbsp\;format\, should be submitted electronically to Dr. Brian Clayton at&nbsp\;clayton@gem.gonzaga.edu</a>&nbsp\;no later than 30 June 2013\, and should include&nbsp\;title\, author(s)\, institutional affiliation (if any)\, mailing address\,&nbsp\;email address\, and the text of the proposal. The seminar organizers&nbsp\;will send acceptances by 8 July 2013.</p>\n<p>For further information please contact Dr. Brian Clayton\, Director\,&nbsp\;Gonzaga University Faith and Reason Institute at&nbsp\;clayton@gem.gonzaga.edu.</p>
ORGANIZER:
METHOD:PUBLISH
END:VEVENT
END:VCALENDAR
