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PRODID:-//Grails iCalendar plugin//NONSGML Grails iCalendar plugin//EN
VERSION:2.0
CALSCALE:GREGORIAN
METHOD:PUBLISH
BEGIN:VEVENT
DTSTAMP:20260926T043052Z
DTSTART;TZID=Europe/Berlin:20221207T190000
DTEND;TZID=Europe/Berlin:20221208T170000
SUMMARY:Festival of Derivatives
UID:20260926T080310Z-iCalPlugin-Grails@fe80:0:0:0:ac83:5bff:fea0:108%3
TZID:Europe/Berlin
LOCATION:Uppsala\, Sweden
DESCRIPTION:<p>Copies and derivatives are everywhere. Culture would not be without people duplicating\, adapting and creating ripoffs of existing material. Yet at the same time paywalls and extractive licensing schemes do much work to block off copying. And somehow certain works are still labelled &lsquo\;original&rsquo\;\, and it&rsquo\;s generally only those supposed &lsquo\;originals&rsquo\; that get prized. How do we move on from here?</p>\n<p>The Festival of Derivatives celebrates all things original and copy.</p>\n<p><strong>Presentations</strong><br><br>The making of forged documents in 19th-century Finland<br><em>Josefine Sj&ouml\;berg</em><br><br>What is appropriate? &ldquo\;Inappropriate users&rdquo\; reshaping access to care within an Italian Emergency Room<br><em>Mirko Pasquini</em> <br><br>OpenSource Archive<br><em>Dominik Bais</em><br><br>Rewriting the Picaresque Genre in G&uuml\;neli G&uuml\;n&rsquo\;s On the Road to Baghdad: A Picaresque Novel of Magical Adventures\, Begged\, Borrowed and Stolen from The Thousand and One Nights (1991)<br><em>Salma Bouacha</em><br><br>On creativity and forced derivation in academia<br><em>Teoman Kenn</em><br><br>Studio Copy Right<br><em>Brian M. Kelly</em><br><br>A derivative paper based on the philosophy journal <em>Analysis</em><br><em>Archie Flyte</em><br><br>On derivatives and original difference in 1980s Japanese music<br><em>Vikrant Singh</em></p>
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