BEGIN:VCALENDAR PRODID:-//Grails iCalendar plugin//NONSGML Grails iCalendar plugin//EN VERSION:2.0 CALSCALE:GREGORIAN METHOD:PUBLISH BEGIN:VEVENT DTSTAMP:20260525T155430Z DTSTART;TZID=Europe/London:20140919T100000 DTEND;TZID=Europe/London:20140921T130000 SUMMARY:British Society of Aesthetics Annual Conference UID:20260527T023724Z-iCalPlugin-Grails@philevents-web-6b96c54f56-bljdq TZID:Europe/London LOCATION:Oxford\, United Kingdom DESCRIPTION:

Full programme and registration available at:

http://british-aesthetics.org/conference/annual-conference-2014/

Book before \;15 August \;for:

- early bird discounted fees
- BSA member discounts
- generous postgraduate subsidies
 \;

KEYNOTE SPEAKERS
Jenefer Robinson (Cincinnati)
M.G.F. Martin (UCL/Berkeley)
Peter Greenaway will deliver The William Empson Lecture \;

PAPERS
Robert Briscoe (Ohio)\, &lsquo\;A Deep Resemblance Theory of Depiction&rsquo\;
Lisa Schmalzried (Lucerne)\, &lsquo\;A Kantian Character-Expressionist Theory of Human Beauty'
Nicholas Silins (Cornell /Yale)\, &lsquo\;What Is The Scope Of Aesthetic Experience?&rsquo\;
Katherine Thomson-Jones (Oberlin College)\, &lsquo\;Appreciating Digital Cinema&rsquo\;
Alberto Voltolini (Turin)\, &lsquo\;Pictorial Experience: Wollheim Reassessed and Vindicated&rsquo\;
Kenneth Walden (Dartmouth College)\, &lsquo\;Re-thinking Moral Character&rsquo\;
Lorraine Yeung Ka Chung (Hong Kong Baptist University)\, &lsquo\;Towards an Affective Appraisal Theory of Horror&rsquo\;

SYMPOSIA
&lsquo\;Aesthetic Intuitions&rsquo\;
Stacie Friend (Birkbeck)\, &lsquo\;Intuitions about Fiction and Fictional Intuitions&rsquo\;\; Christy Mag Uidhir (Houston)\, &lsquo\;Everyone&rsquo\;s a Critic: Epistemic Privilege &\; Art Intuitions&rsquo\;\; Jonathan Weinberg (Arizona)\, &lsquo\;Are Aesthetic Intuitions Looking Good?&rsquo\;

&lsquo\;Fiction and the Sciences&rsquo\;
Adam Toon (Exeter)\, &lsquo\;Models as Make-Believe&rsquo\;\; Martin Thomson-Jones (Oberlin College)\, &lsquo\;Realism about Missing Systems&rsquo\;\; David Davies (McGill University)\, &lsquo\;Fictionalism and the Cognitive Values of Scientific Models&rsquo\;

&lsquo\;The Return of Experimental Philosophical Aesthetics&rsquo\;
Florian Cova (Swiss Centre for Affective Sciences)\, &lsquo\;Is What I&rsquo\;m Feeling Genuine? Fiction versus Reality&rsquo\;\; Lily Guillot (Yale)\, &lsquo\;Exploring the Developmental Roots of the Paradox of Horror&rsquo\;\; Shen-yi Liao (Leeds / Nanyang Technological University) &\; Aaron Meskin (Leeds)\, &lsquo\;Aesthetic Testimony and Other Testimony&rsquo\;

2014 BSA ESSAY PRIZE WINNER
Jake Quilty-Dunn (CUNY) &lsquo\;Believing Our Eyes: The Role of False Belief in the Experience of Cinema&rsquo\;

POSTGRADUATE PAPERS
Adriana Clavel Vasquez (Sheffield)\, &lsquo\;Imaginative Resistance and Response Moralism&rsquo\;
Kris Goffin (Ghent)\, &lsquo\;Can Aesthetic Properties be Emotionally Represented?&rsquo\;
Simone Gubler (Texas)\, &lsquo\;Reflections on Still Life&rsquo\;
John Holliday (Maryland)\, &lsquo\;Sonicity and the Performance of Reading&rsquo\;
Zoe Jenkin (Harvard)\, &lsquo\;Cognitive Penetration of the Perception of Art: Epistemic and Aesthetic Divergence&rsquo\;
Marilynn Johnson (CUNY)\, &lsquo\;Reference Through Instruments'
Jenny Judge (Cambridge)\, &lsquo\;Musical Metre&rsquo\;
Robbie Kubala (Columbia)\, Philosophy\, Literature\, and Emotional Engagement\;
Giulia Martina (Turin)\, &lsquo\;Grounding Musical Experience&rsquo\; \; \; \; \; \; \; \; \; \; \; \; \; \; \; \; \; \; \; \; \;
Annelies Monseré\; (Ghent)\, &lsquo\;The Charge from Psychology and the Project of Defining Art&rsquo\;
Shelby Moser (Kent)\, &lsquo\;Analysing the Interactivity of Computer Art as a Distinct Form&rsquo\;
Nils-Hennes Stear (Michigan)\, &lsquo\;Imaginative Failure: a Genuine Puzzle&rsquo\;

PROGRAMME COMMITTEE
Bence Nanay (Cambridge/Antwerp) chair
David Davies (McGill)
Á\;ine Mahon (University College Dublin)
Murray Smith (Kent)
Dawn Wilson (Hull)

Programme subject to change

BSA annual conference\, St Anne's College\, Oxford\, \;19-21 September 2014

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