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DTSTAMP:20260405T170301Z
DTSTART;TZID=Europe/London:20120921T100000
DTEND;TZID=Europe/London:20120923T180000
SUMMARY:British Society of Aesthetics Conference 2012
UID:20260406T005348Z-iCalPlugin-Grails@philevents-web-f5d4878dd-4s97k
TZID:Europe/London
LOCATION:Oxford\, United Kingdom
DESCRIPTION:<p><strong>Keynote Address</strong></p>\n<p>Kendall Walton (University of Michigan) &ldquo\;Being Intimate with Art&rdquo\; &nbsp\;</p>\n<p><strong>The William Empson Lecture</strong></p>\n<p>Jancis Robinson\, OBE &ldquo\;The Aesthetics of Wine and Grapes&rdquo\; &nbsp\;</p>\n<p><strong>Papers&nbsp\;</strong></p>\n<p>Thomas Adajian (James Madison University) &ldquo\;Disjunctive Definitions of Art&rdquo\; &nbsp\;</p>\n<p>Elisa Caldarola (Universit&agrave\; di Padova) &ldquo\;Representation without Background&rdquo\; &nbsp\;</p>\n<p>Tom Cochrane (Queen&rsquo\;s University Belfast) &ldquo\;Narrative and Self-Becoming&rdquo\; &nbsp\;</p>\n<p>Iskra Fileva (University of North Carolina) &ldquo\;Historical Inaccuracy in Art&rdquo\; &nbsp\;</p>\n<p>Anthony Gritten (Royal Academy of Music) &ldquo\;The Problem with Performing&rdquo\; &nbsp\;</p>\n<p>Matthew Rowe (Independent Scholar) &ldquo\;Sloppy Realisations: An Exit from Goodman&rsquo\;s Sorites Argument&rdquo\; &nbsp\;</p>\n<p>Erik Schmidt (Gonzaga University) &ldquo\;False Gaze - Othello\, Kant and the Threat of Deceptive Truths&rdquo\; &nbsp\;</p>\n<p>Tzachi Zamir (Hebrew University of Jerusalem) &ldquo\;Unethical Acts&rdquo\; <br><strong></strong></p>\n<p><strong>Postgraduate Papers<br></strong> <br> Max Bialek (University of Maryland) &ldquo\;Some Ontology of Jokes&rdquo\; &nbsp\;</p>\n<p>Wesley Cray (The Ohio State University) &ldquo\;Some Ideas about Ideas and the Idea Idea&rdquo\; &nbsp\;</p>\n<p>Samantha Matherne (University of California) &ldquo\;The Inclusive Interpretation of Kant&rsquo\;s Aesthetic Ideas&rdquo\; &nbsp\;</p>\n<p>Rafe McGregor (University of York) &ldquo\;On Not Expecting Too Much from the Value Interaction Debate&rdquo\; &nbsp\;</p>\n<p>Dominic Preston (University of Cambridge) &ldquo\;The Ontology of Interactive Art&rdquo\; &nbsp\;</p>\n<p>David Sackris (University of Buffalo) &ldquo\;Category-Independent Aesthetic Experience&rdquo\;</p>\n<p>Maarten Steenhagen (UCL) &ldquo\;'Non-Conceptualised&rsquo\; Depiction&rdquo\; &nbsp\; &nbsp\;</p>\n<p>Nicholas Wong (University of Chicago) &ldquo\;Reproducing the Brillo Box: A Special Case of Forgery in 1968&rdquo\; &nbsp\;</p>\n<p><strong>Registration</strong></p>\n<p>The deadline for early booking is August 15. The BSA provides a subsidised rate for students enrolled in masters and doctoral programmes. Registration and the full program are available at:</p>
ORGANIZER;CN=Catharine  Abell;CN=Dan Cavedon-Taylor;CN=Bence Nanay;CN=Dawn Wilson;CN=Mahlet Zimeta:
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