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VERSION:2.0
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BEGIN:VEVENT
DTSTAMP:20260611T081221Z
DTSTART;TZID=Europe/London:20120122T090000
DTEND;TZID=Europe/London:20120122T090000
SUMMARY:Electronic Visualisation and the Arts
UID:20260616T111351Z-iCalPlugin-Grails@philevents-web-bd7db559-gt5qm
TZID:Europe/London
LOCATION:Covent Garden\, London\, United Kingdom\, WC2E 7HA
DESCRIPTION:<p><strong>Visualising</strong></p>\n<p>ideas and concepts in culture\, heritage the arts and sciences: digital&nbsp\;arts\, sound\, music\, film and animation\, 2D and 3D imaging\, European&nbsp\;projects\, archaeology\, architecture\, social media for museums\,&nbsp\;heritage and fine art photography\, medical visualisation and more<br><br><strong>Offers of Papers\, Demonstrations and Workshops</strong>&nbsp\;by 22nd January 2012<br><br>A feature of EVA London is its varied session types. We invite&nbsp\;proposals of papers\, demonstrations\, short performances\, workshops or&nbsp\;panel discussions. Demonstrations and performances will be an&nbsp\;important part of this year's conference. We especially invite papers&nbsp\;or presentations on topical subjects\, and the newest and cutting edge<br>technologies and applications.&nbsp\;Only a summary of the proposal\, on up to one page\, is required for&nbsp\;selection. This must be submitted electronically according to the&nbsp\;instructions on the EVA London website. Proposals may be on any aspect&nbsp\;of EVA London's focus on visualisation for arts and culture\, heritage&nbsp\;and medical science\, broadly interpreted. Papers are peer reviewed and&nbsp\;may be edited for publication as hard copy and online. Other&nbsp\;presentations may be published as summaries or as papers.<br><br>If your proposal is a case study\, we will be looking for discussions&nbsp\;of wider principles or applications using the case study as an&nbsp\;example. A few bursaries for EVA London registration fees will again&nbsp\;be available if you don't have access to grants.<br><br>EVA London's Conference themes will particularly include new and&nbsp\;emerging technologies and applications\, including but not limited to:</p>\n<ul>\n<li>Visualising ideas and concepts&nbsp\;</li>\n<li>Imaging and images in museums and&nbsp\;galleries&nbsp\;</li>\n<li>Digital performance&nbsp\;</li>\n<li>Music\, sound\, film and animation</li>\n<li>Medical humanities</li>\n<li>Reconstructive archaeology and architecture&nbsp\;</li>\n<li>Digital and&nbsp\;computational art and photography&nbsp\;</li>\n<li>Visualisation in museums\, historic&nbsp\;sites and buildings&nbsp\;</li>\n<li>Immersive environments</li>\n<li>Technologies of digitisation&nbsp\;</li>\n<li>2D\, 3D and high definition imaging</li>\n<li>Virtual and augmented worlds&nbsp\;</li>\n<li>Web 2.0 and 3.0 technologies in art and&nbsp\;culture&nbsp\;</li>\n<li>Digital visualisation of performance and music</li>\n</ul>\n<br>
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