The Return of Aesthetics \;is an in-person seminar led by Jacob Koster and held over multiple sessions in a small group.
\n\nAesthetics has long been considered a moribund discipline. The term &lsquo\;aesthetics&rsquo\; itself\, however\, has lived on. Its meanings have multiplied\, so much so that by the early 20th century to &lsquo\;aestheticise&rsquo\; was to render beautiful what was not\, the opposite of the word&rsquo\;s original sense. Today\, &lsquo\;feminist aesthetics&rsquo\;\, &lsquo\;postcolonial aesthetics&rsquo\;\, &lsquo\;queer aesthetics&rsquo\;\, and &lsquo\;posthuman aesthetics&rsquo\; are bona fide artistic pursuits.
\nThis &lsquo\;aesthetic turn&rsquo\;\, however\, is not caused by the re-emergence of traditional aesthetic questions. Instead\, what the various flavours of today&rsquo\;s &lsquo\;political aesthetics&rsquo\; have in common is a deep suspicion of the aesthetic tradition passed down by the Enlightenment. Critics of the 18th-century paradigm of aesthetics take issue with its foregrounding of a privileged subject\, its fascination with nature at the cost of the non-human\, and its ruthless expansionism in the name of freedom.
\nSuch critiques may be warranted. On the other hand\, the imperative to critique the &lsquo\;dead white men&rsquo\; of the Enlightenment has become a new dogma. The compulsion to replace the dé\;modé\; concerns of aesthetics (beauty\, genius\, taste) with a political agenda has not only foreclosed artistic avenues but also impedes a serious critique of aesthetics.
\nWhat was aesthetics? How did philosophers theorising sensation respond to its questions\, and how did their responses change with time? How did social conditions shape aesthetic discourse? Why did beauty assume the philosophical importance it did\, ultimately achieving parity with the true\, and the good?
\nThis seminar sets out to reconstruct the object of critique: aesthetics before it was subjected to radical reshaping since the middle of the 19th century. It considers the historical development of the discipline&rsquo\;s concerns since the antiquities\, and in so doing illuminates the aesthetic rift of modernity.
\nThis seminar is a collective attempt at self-education for artists\, curators\, and anyone interested in the philosophy and history of art. \;
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