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VERSION:2.0
CALSCALE:GREGORIAN
METHOD:PUBLISH
BEGIN:VEVENT
DTSTAMP:20260416T182015Z
DTSTART;TZID=America/Toronto:29140227T040000
DTEND;TZID=America/Toronto:29140227T070000
SUMMARY:Behind Theatrical Performance
UID:20260421T222249Z-iCalPlugin-Grails@philevents-web-f5d4878dd-x5n6c
TZID:America/Toronto
LOCATION:Chicago\, United States
DESCRIPTION:<p>Normal 0 false false false EN-US X-NONE X-NONE/* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"\; mso-tstyle-rowband-size:0\; mso-tstyle-colband-size:0\; mso-style-noshow:yes\; mso-style-priority:99\; mso-style-parent:""\; mso-padding-alt:0in 5.4pt 0in 5.4pt\; mso-para-margin-top:0in\; mso-para-margin-right:0in\; mso-para-margin-bottom:10.0pt\; mso-para-margin-left:0in\; line-height:115%\; mso-pagination:widow-orphan\; font-size:11.0pt\; font-family:"Calibri"\,"sans-serif"\; mso-ascii-font-family:Calibri\; mso-ascii-theme-font:minor-latin\; mso-hansi-font-family:Calibri\; mso-hansi-theme-font:minor-latin\;}</p>\n<p>&ldquo\;Behind Theatrical Performance</p>\n<p>Thurs. Feb. 27 9:00-noon</p>\n<p>Group Session on Aesthetics @ the Central APA</p>\n<p>Four papers will be presented.&nbsp\; Each probes behind what seems on offer in standard theatrical performance by examining overlooked substructure (scripts)\, unsuspected loci of thought and action (puppet and robot minds)\, or unanticipated sources of added value (the sacramental). Thus each paper takes us beyond\, below\, or behind the surface to expose unnoticed machinery and diagnose the basis for its effects.</p>\n<p>The session in full:&nbsp\; &ldquo\;Behind Theatrical Performance</p>\n<p>&middot\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; "Play Scripts and Dramatic Literature"</p>\n<p>&middot\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Susan Feagin</p>\n<p>&middot\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Department of Philosophy&nbsp\; Temple University</p>\n<p>&middot\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; "Spectating Animated Objects"</p>\n<p>&middot\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; James Hamilton</p>\n<p>&middot\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Department of Philosophy&nbsp\; Kansas State University</p>\n<p>&middot\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; "Robotic Actors"</p>\n<p>&middot\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; David Z. Saltz</p>\n<p>&middot\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Department of Theatre and Film Studies&nbsp\; Georgia State University</p>\n<p>&middot\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; "The Sacraments of Performance"</p>\n<p>&middot\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Paul Woodruff</p>\n<p>&middot\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Department of Philosophy&nbsp\; University of Texas - Austin</p>\n<p>This session is sponsored by the American Society for Aesthetics.&nbsp\; &nbsp\;Please join us at the APA.</p>
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