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VERSION:2.0
CALSCALE:GREGORIAN
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BEGIN:VEVENT
DTSTAMP:20260423T132550Z
DTSTART;TZID=America/Toronto:20140531T194500
DTEND;TZID=America/Toronto:20140531T194500
SUMMARY:12th world Congress of Semiotics Sofia 2014\, 16-20 September New Bulgarian University
UID:20260429T151912Z-iCalPlugin-Grails@philevents-web-6b96c54f56-bljdq
TZID:America/Toronto
LOCATION:New Bulgarian University\, Sofia\, Bulgaria
DESCRIPTION:<p>Semiotics is able to question\, analyse and reveal processes of filmic signification. Whereas there are plenty of semiotic studies that are concerned with film&nbsp\;<em>themes</em>&nbsp\;or film&nbsp\;<em>plots</em>\, filmic&nbsp\;<em>language&nbsp\;</em>still requires a deeper understanding of its sign-processes. After Christian Metz and the wide deception of structuralism\, or at least after Gilles Deleuze&rsquo\;s rather incoherent adaptation of Peircean semiotics to cinematic images\, filmic semiotics should not remain a &ldquo\;hopeless field&rdquo\;. Rather should semioticians continue to analyse the phenomenological power of filmic language. It is the semiotician&rsquo\;s task to reveal the psychology and pedagogics of filmic sign-processes.</p>\n<p>This round-table encourages any contribution that questions the logic of properly&nbsp\;<em>filmic</em>&nbsp\;significations. Possible approaches might be:</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; filmic language</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; iconicity and film</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; indexicality and film</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; symbolicity and film</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; cinematographic connotation and denotation</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; semiotics of filmic perception</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; semiotics of filmic montage</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; semiotics of the moving camera</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; diagrammatic structure of filmic images</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; semiotics of filmic movement\, time and space</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Deleuzian filmic semiotics</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Metzian filmic semiotics</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Semiotics of Hyper-reality</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Semiotics of the postmodern cinema</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Semiotics of the filmic psychology</p>\n<p>-&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; &hellip\;.</p>\n&nbsp\;
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