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VERSION:2.0
CALSCALE:GREGORIAN
METHOD:PUBLISH
BEGIN:VEVENT
DTSTAMP:20260422T113734Z
DTSTART;TZID=Europe/Lisbon:20261022T090000
DTEND;TZID=Europe/Lisbon:20261024T170000
SUMMARY:12th Iberian Meeting on Aesthetics: Modalities of Aesthetic Attention
UID:20260426T011435Z-iCalPlugin-Grails@philevents-web-6b96c54f56-bljdq
TZID:Europe/Lisbon
LOCATION:Via Panorâmica Edgar Cardoso s / n\, 4150-564 Porto\, Porto\, Portugal
DESCRIPTION:<p>The organization of the twelfth edition of the Iberian Meeting on Aesthetics invites researchers in philosophical aesthetics and in related disciplinary areas to submit proposals for papers. The submission of abstracts will be open until <strong>April 1st</strong>.</p>\n<p><strong>Dates &amp\; Venue</strong><br>The Meeting will take place on October 22\, 23\, and 24\, 2026\, with institutional hosting by the Institute of Philosophy of the University of Porto\, Research Group Aesthetics\, Politics and Knowledge (APK).</p>\n<p><strong>Theme:</strong> Modalities of Attention: Contemplation\, Critical Virtues\, and Agency<br><br>One of the problems of our contemporary world is that of attention: paying attention to things requires time and energy\, resources increasingly mobilised almost exclusively for consumption or incessant productivity. The sweeping technological and cultural transformations we face &mdash\; or are imposed upon us &mdash\; are accompanied by equally profound changes in how we attend\, how we experience things\, and even how we conceive of and value attention and experience themselves. This concerns our practical life\, as much as it does aesthetic theory.</p>\n<p>Although contemporary aesthetics goes beyond the experience of art\, encompassing our relation to a degraded natural world and to an everyday life that is ever more massified\, gentrified\, and touristified\, attention is the knot in which all these strands converge. Thus\, a fundamental and enduring value of at least some works of art lies in their capacity to show us new ways of attending to things and of reconfiguring our experience of the world.</p>\n<p>As a philosophical concept\, aesthetic attention has been the object of debate and\, in particular\, of incisive criticism across various traditions of thought. Whatever perspective we adopt on the nature of aesthetic value and its role in human well-being\, what we attend to\, and how we attend\, will continue to be a decisive aspect of what it means to be the subject of a life.</p>\n<p>We invite researchers in aesthetics and the theory of the arts to submit proposals for papers within the following thematic lines:</p>\n<p><strong>THEMATIC LINES</strong></p>\n<ol>\n<li>\n<p>How art teaches us to see and to listen: aesthetics and the education of the senses.</p>\n</li>\n<li>\n<p>Attention as action: authorship\, interpretation\, and completion.</p>\n</li>\n<li>\n<p>Affective attention: the role of emotions in aesthetic experience.</p>\n</li>\n<li>\n<p>Attention and memory: the role of memory in aesthetic experience.</p>\n</li>\n<li>\n<p>The prosaic and the mundane: aesthetic attention beyond art.</p>\n</li>\n<li>\n<p>Aesthetic attention and the environment: from contemplation to the construction of nature.</p>\n</li>\n<li>\n<p>Architecture\, urbanism\, and aesthetic attention: life in cities and the experience of dwelling.</p>\n</li>\n<li>\n<p>Aesthetic attention in education: philosophical perspectives.</p>\n</li>\n<li>\n<p>Technology and politics: challenges to aesthetic attention\, from hyperconnectivity to AI.</p>\n</li>\n<li>\n<p>From aesthetic attention to critical attention: whatever became of the philosophy of art criticism?</p>\n</li>\n<li>\n<p>Aesthetics and virtues: contemporary aretaic perspectives on attention.</p>\n</li>\n<li>\n<p>From Critical Theory to the present: the political dimension of aesthetic attention.</p>\n</li>\n<li>\n<p>Popular culture: from collective protest to memes.</p>\n</li>\n<li>\n<p>Digital art and new media: dispersion\, fragmentation\, and recentring.</p>\n</li>\n<li>\n<p>Aesthetics and epistemology: are there collective forms of aesthetic attention?</p>\n</li>\n<li>\n<p>Transcultural perspectives: aesthetic attention in non-Western contexts.</p>\n</li>\n</ol>\n<p><strong><br></strong></p>\n<p><strong>ABSTRACTS</strong></p>\n<p>Document 1: anonymous</p>\n<ul>\n<li>\n<p>Title of the proposal</p>\n</li>\n<li>\n<p>Abstract (maximum 500 words)</p>\n</li>\n<li>\n<p>Bibliography (maximum of five references)</p>\n</li>\n<li>\n<p>Five keywords and the thematic line to which the proposal is assigned</p>\n</li>\n</ul>\n<p>Document 2: non-anonymous</p>\n<ul>\n<li>\n<p>Title of the proposal</p>\n</li>\n<li>\n<p>Brief biographical note of no more than 200 words</p>\n</li>\n</ul>\n<p><strong><br></strong></p>\n<p><strong>Instructions for sending:</strong><br>Both documents (Word) will be named with the title &ndash\; or a part of it &ndash\; plus its corresponding numbering (Example: Title_1 and Title_2\, depending on whether it is anonymous or not) and will be sent to the following e-mail address: encontroibe.porto@letras.up.pt&nbsp\;</p>\n<p><strong><br></strong></p>\n<p><strong>Important information:</strong><br>The selection will be made taking into account the scientific quality and the relevance to the theme of the Meeting.<br>The presentation time for each paper will be 20 minutes\, plus 10 minutes for discussion.<br>The official languages will be Portuguese\, Spanish\, and English.</p>\n<p><strong><br></strong></p>\n<p><strong>IMPORTANT DATES</strong></p>\n<ul>\n<li>\n<p>April 1: Deadline for submission of abstracts</p>\n</li>\n<li>\n<p>From May 15: Acceptance reply</p>\n</li>\n<li>\n<p>May 30 - June 30: Speaker registration</p>\n</li>\n<li>\n<p>July 15: Program announcement</p>\n</li>\n<li>\n<p>Until September 30: Attendee registration</p>\n</li>\n<li>\n<p>October 22-24: Congress date</p>\n</li>\n</ul>\n<p><strong><br></strong></p>\n<p><strong>REGISTRATION</strong></p>\n<ul>\n<li>\n<p>Speaker registration: 70 &euro\;</p>\n</li>\n<li>\n<p>Speaker registration (SEyTA member): 50 &euro\;</p>\n</li>\n<li>\n<p>Attendee registration: 50 &euro\;</p>\n</li>\n<li>\n<p>Attendee registration (SEyTA member) or student: 40 &euro\;</p>\n</li>\n</ul>\n<p>Grants for PhD students<br>Three grants of 200 &euro\; each will be awarded.<br>To be eligible\, it is necessary to be a member of SEyTA or a PhD student in Portugal and to justify the relation between the theme of the congress and the theme of the thesis.<br>The grant is awarded retrospectively\, once the PhD student submits the certificate of participation to SEyTA.</p>\n<p><strong><br></strong></p>\n<p><strong>ORGANIZERS</strong></p>\n<ul>\n<li>\n<p>Sociedad Espa&ntilde\;ola de Est&eacute\;tica y Teor&iacute\;a de las Artes</p>\n</li>\n<li>\n<p>Faculdade de Letras da Universidade do Porto</p>\n</li>\n<li>\n<p>Instituto de Filosofia da Universidade do Porto</p>\n</li>\n<li>\n<p>Grupo de investiga&ccedil\;&atilde\;o Aesthetics\, Politics &amp\; Knowledge</p>\n</li>\n</ul>\n<p><strong>ORGANIZING COMMITTEE</strong></p>\n<p>V&iacute\;tor Guerreiro</p>\n<p>Universidade do Porto</p>\n<p>Domingos Faria</p>\n<p>Universidade do Porto</p>\n<p>S&iacute\;lvia Bento</p>\n<p>Universidade do Porto</p>\n<p>Pablo Seoane</p>\n<p>Universidade de Santiago de Compostela</p>\n<p><strong>TECHNICAL COMMITEE</strong></p>\n<p>Susana Costa</p>\n<p>Universidade do Porto</p>\n<p>Vanessa Pelerigo</p>\n<p>Universidade do Porto</p>\n<p>Paula Lima</p>\n<p>Universidade do Porto</p>\n<p>Joana Rego</p>\n<p>Universidade do Porto</p>\n<p>Marco Dias</p>\n<p>Universidade do Porto</p>\n<p><strong>SCIENTIFIC COMMITTEE</strong></p>\n<p>Ana Mar&iacute\;a Rabe</p>\n<p>Universidade de Santiago de Compostela</p>\n<p>Carlos Valente</p>\n<p>Universidade da Madeira</p>\n<p>Carla Carmona</p>\n<p>Universidad de Sevilla</p>\n<p>Erika Rodrigues</p>\n<p>Universidade do Porto</p>\n<p>Carlos Vara Sanchez</p>\n<p>Universidad Complutense de Madrid</p>\n<p>Filipa Afonso</p>\n<p>Universidade de Lisboa</p>\n<p>Joaqu&iacute\;n Macarro</p>\n<p>Universidad de Salamanca</p>\n<p>Maria de F&aacute\;tima Lambert</p>\n<p>Escola Superior de Educa&ccedil\;&atilde\;o do Instituto</p>\n<p>Polit&eacute\;cnico do Porto</p>\n<p>Magda Polo Pujadas</p>\n<p>Universidad de Barcelona</p>\n<p>M&aacute\;rio Correia</p>\n<p>Universidade do Porto</p>\n<p>Rosa Ben&eacute\;itez</p>\n<p>Universidad de Salamanca</p>\n<p>Tiago Sousa</p>\n<p>Universidade do Minho</p>\n<p><strong><br></strong></p>\n<p><strong>CONTACT:</strong><br>encontroibe.porto@letras.up.pt&nbsp\;</p>
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