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BEGIN:VEVENT
DTSTAMP:20260407T161150Z
DTSTART;TZID=Europe/London:20150408T050000
DTEND;TZID=Europe/London:20150410T130000
SUMMARY:Modernist Musics and Political Aesthetics
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TZID:Europe/London
LOCATION:Nottingham\, United Kingdom
DESCRIPTION:<p>contact email:<br>nathan.waddell@nottingham.ac.uk</a><br><br>Experimental modernist forms are widely thought to question the suitability of traditional cultural&nbsp\;structures to represent experience. Whether it is Ezra Pound&rsquo\;s desire to &lsquo\;compose in the sequence&nbsp\;of the musical phrase&rsquo\; or the mutual influence of primitivism in Picasso&rsquo\;s paintings and&nbsp\;Stravinsky&rsquo\;s The Rite of Spring\, the formal innovations we call modernism often saw different art&nbsp\;forms converge and stimulate one another. We hope this conference will explore these issues in&nbsp\;depth.<br><br>Modernism is often understood as a response to a crisis of representation. According to Peter&nbsp\;Childs\, this crisis produced 'paradoxical if not opposed trends towards revolutionary and&nbsp\;reactionary positions\, fear of the new and delight at the disappearance of the old\, nihilism and&nbsp\;fanatical enthusiasm\, creativity and despair.' Modernist Musics and Political Aesthetics invites&nbsp\;papers that consider the political implications of modernist musics and art\, the mutual influence of&nbsp\;art forms\, and the establishment of new aesthetic and political principles within modernism.</p>\n<p>Topics of interest include\, but are not limited to:<br>the relations between style\, form\, and music<br>music and ethics<br>the political implications of modernism and music studies<br>intersections and tensions between approaches to music and modernism<br>sound in modernism<br>the limits of language<br>music\, authenticity\, and interpretation<br>ethics\, elitism\, virtue\, anxiety\, humanism\, and anti-humanism in modernism<br>Marxist discourses in modernism<br>fascist modernisms<br>the implications of twenty-first-century modernist musics<br>experimental strategies in early twentieth-century cultural production<br>'late' modernisms<br>Wagner in modernism and Wagnerism in twentieth-century culture<br>'programme music' and/or 'absolute' music<br>Sprechstimme and Sprechgesang<br>theories of music and culture in the twentieth century<br><br>Please submit proposals of max. 350 words\, and a brief author biography\, to<br>Nathan.Waddell@nottingham.ac.uk</a>&nbsp\;by&nbsp\;1st November 2014.</p>
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