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SUMMARY:Locus
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DESCRIPTION:<p><strong>Dossier </strong><strong>Walking-with the Past: Embodiment\, Environment\, and Narrative</strong></p>\n<p><strong><em>Locus. Journal of Culture Studies</em></strong></p>\n<p><strong>Call for Papers</strong></p>\n<p><strong>Guest editors: Marieke Borren and Susan Hogervorst</strong></p>\n<p>As an everyday act of embodied locomotion\, walking rarely becomes an explicit object of reflection\, let alone an entry point into questions of history and memory. Yet as we move through streets\, landscapes\, ruins\, and memorial sites\, alone or collectively\, walking can reactivate personal memories\, disclose hidden histories\, and inscribe new narratives into shared spaces. Examples range from commemorative marches and heritage walking tours to psychogeographical drifts that excavate urban and peri-urban spaces as palimpsests\, and the prominent role of walking in first-person biographical accounts of displacement. In literary and cinematic representations\, moreover\, walking often mediates between personal memories and the meaningful environments in which they unfold.</p>\n<p>This dossier of <em>Locus</em> explores walking as an embodied mnemonic\, narrative\, and pedagogical practice. We are particularly interested in the philosophical question of how walking mediates between body\, environment\, memory\, and history. We therefore invite contributions that approach walking from one of three interconnected perspectives: (1) embodiment and bodily memory\, (2) environment and place\, or (3) narrative and representation.</p>\n<p><strong>Walking-with the past: a phenomenological perspective</strong></p>\n<p>Walking may have a particularly strong relation to memory because it is never a purely present activity. From a phenomenological perspective\, the moving body can be understood as a sedimentation of histories and habits: bodily comportment is shaped by past experience\, social norms\, technologies\, infrastructures\, and built environments. Walking is thus not simply an activity performed by a body in space\; it is an embodied way of inhabiting an already meaningful world.</p>\n<p>At the same time\, environments are not neutral backdrops or abstract spaces. They constitute structured fields of affordances that enable and constrain particular forms of movement. Streets\, paths\, ruins\, memorial sites\, and infrastructures invite certain trajectories\, rhythms\, and styles of walking while discouraging others. Historical transformations of built environments may thus become sedimented in bodily habits\, while changes in bodily practices can disclose otherwise unnoticed historical layers of place.</p>\n<p>Walking consequently unfolds in a dynamic relation between historically sedimented bodily habits and environments that themselves bear traces of past events. This raises questions not only about memory and history but also about the phenomenological constitution of bodily subjectivity\, place\, temporality\, and world.</p>\n<p>These questions resonate with phenomenological approaches from Husserl and Merleau-Ponty to more recent work on embodiment\, place\, habit\, and environmental experience\, as well as with approaches in 4E cognition and ecological approaches to perception\, including work on affordances and the embodied and situated character of cognition.</p>\n<p>From a cultural memory perspective\, walking can likewise inscribe collective and personal histories into places and reactivate past experiences in the present. Collaborative walking practices in public history\, commemoration\, heritage education\, and psychogeography can make historical layers experientially available through bodily movement. In this sense\, walking may be understood as a form of embodied historical inquiry: a way of encountering the past not merely as an object of representation\, but through situated\, sensory\, and affective engagement with places and environments.</p>\n<p>The notion of &ldquo\;walking-with the past&rdquo\; therefore points to a relational and co-constitutive understanding of historical experience. The past is not simply something walkers represent or remember\; it may be encountered\, activated\, and partially re-enacted through movement in places where histories have been sedimented.</p>\n<p><strong>Possible questions include:</strong></p>\n<p><strong>Walking and embodied memory</strong></p>\n<ul>\n<li>How might phenomenological approaches to walking deepen our understanding of the relationship between embodiment\, memory\, and historical experience?</li>\n<li>How does walking reveal the historicity of embodied practices and everyday forms of movement?</li>\n<li>How are personal and collective memories sedimented in bodily habits and styles of walking?</li>\n<li>How does embodied movement activate or reorganize autobiographical memory?</li>\n<li>What kinds of memories\, meanings\, or narratives emerge specifically through embodied movement?</li>\n</ul>\n<p><strong>Walking\, environment\, and place</strong></p>\n<ul>\n<li>How do historical transformations of landscapes\, infrastructures\, and built environments shape the affordances of walking and become sedimented in bodily comportment and habit?</li>\n<li>How are temporal\, particularly historical\, dimensions of lived experience involved in ambulatory place-making?</li>\n<li>How does walking disclose historical layers embedded in landscapes and urban environments?</li>\n<li>How can walking disclose or produce memoryscapes\, including traumascapes?</li>\n<li>What does walking reveal about the phenomenological constitution of place?</li>\n<li>How might concepts such as sedimentation\, historicity\, habituality\, affordance\, and bodily schema illuminate walking as a historical practice?</li>\n</ul>\n<p><strong>Walking\, narrative time\, and representation</strong></p>\n<ul>\n<li>How does walking structure narrative or autobiographical time in literary\, cinematic\, or autobiographical works?</li>\n<li>How do representations of walking connect personal memory with broader historical or cultural contexts?</li>\n<li>How can phenomenological perspectives illuminate the relation between walking\, embodiment\, and narrative time?</li>\n</ul>\n<p>We particularly welcome philosophical contributions\, including phenomenological and critical-phenomenological approaches to embodiment\, bodily memory\, temporality\, place\, historicity\, habit\, affordance\, and environmental experience. We also welcome contributions from 4E cognition\, ecological approaches to perception\, cultural memory studies\, history\, heritage studies\, psychogeography\, narrative studies\, and the walking arts\, including work that brings these perspectives into dialogue.</p>\n<p><strong>Types of contributions</strong></p>\n<p>We invite proposals for:</p>\n<ul>\n<li>theoretical contributions on walking\, embodiment\, memory\, place\, historicity\, and habit\, particularly from phenomenology and 4E cognition\;</li>\n<li>philosophical or interdisciplinary analyses of walking as a mode of encountering history and place\;</li>\n<li>empirical or methodological studies of walking in public history\, heritage\, commemoration\, oral history\, or psychogeography\;</li>\n<li>analyses of literary\, cinematic\, or autobiographical representations of walking\;</li>\n<li>artistic and practice-based contributions from walking artists\, psychogeographers\, and practitioners working with locative media or walking-based artistic research.</li>\n</ul>\n<p><strong><em>The full call\, including further information about the dossier and submission guidelines\, is available on the </em></strong><a href="https://platform.openjournals.nl/LOCUS/call-for-papers"><strong><em>Locus Open Journals website</em></strong></a><strong><em>.</em></strong></p>\n<p><strong>About <em>Locus</em></strong><br><em>Locus: Journal of Culture Studies</em> is an interdisciplinary\, diamond Open Access journal published by the Department of Culture Studies at the Open University of the Netherlands. It provides a forum for scholarship across the humanities and culture studies\, including philosophy\, and particularly welcomes interdisciplinary dialogue between academic research and cultural practice. In addition to stand-alone articles\, the journal publishes biannual thematic &lsquo\;dossiers\,&rsquo\; special collections of articles on topical debates. These dossiers cover diverse themes such as <em>the cultural imagination of human and non-human animals\, the coloniality of natural history collections</em>\, <em>performativity</em>\, and <em>embodiment</em>.</p>\n<p>We recently completed the migration of Locus to the <a href="https://platform.openjournals.nl/LOCUS/">Open Journals ecosystem</a>. While our current platform is new\, all back issues and articles remain fully available through our <a href="locus.ou.nl">former platform</a>.&nbsp\;</p>\n<p><strong>Submission information</strong></p>\n<ul>\n<li>Abstracts (300&ndash\;500 words): due 30 October 2026</li>\n<li>Notification of acceptance: 15 November 2026</li>\n<li>Full manuscripts (4\,000&ndash\;5\,000 words): due 3 January 2027</li>\n</ul>\n<p>Submissions are accepted in English and Dutch. All submissions will undergo editorial review.</p>\n<p>For inquiries about the theme\, please contact Marieke Borren: <a href="mailto:marieke.borren@ou.nl">marieke.borren@ou.nl</a>.</p>
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