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DTSTAMP:20261024T114712Z
DTSTART;TZID=Europe/Belgrade:20261127T120000
DTEND;TZID=Europe/Belgrade:20261127T120000
SUMMARY:U-TOPIA: Good Place or No Place?
UID:20261024T114713Z-iCalPlugin-Grails@philevents-web-8d97778f4-96mdd
TZID:Europe/Belgrade
LOCATION:Pula\, Croatia
DESCRIPTION:<p><strong>01. Executive Summary</strong></p>\n<p><strong>Political ideals are rarely born at scale\; they are tested first in micro-enclosures.</strong></p>\n<p>U-TOPIA is an international\, interdisciplinary project spanning two years (2027&ndash\;2028) that explores how systems of governance\, spatial design\, and social engineering attempt to construct an ideal order &ndash\; and why these attempts fluctuate between a functional Good Place (Eu-topia) and an unworkable No Place (Ou-topia).</p>\n<p><strong>02. Framework</strong></p>\n<p>The project brings together researchers\, artists\, and civil sector actors to critically analyse three distinct historical and contemporary governance models as illustrative examples of a potential eu-topia (a good place). The objective is neither to idealise nor dismiss these systems\, but to objectively reflect upon their achievements\, failures\, and structural tensions.</p>\n<p><strong>1. Symphonia &ndash\; Theocratic Utopia</strong> (Sacred Imperial Geometry)</p>\n<p>Focusing on the golden period of Constantinople and Byzantine state philosophy.<br>Spatial Anchor: The Byzantine Castrum on the island of Brijuni &ndash\; a fortified\, self-contained sanctuary demonstrating how administrative centralism and spatial geometry attempted to preserve stability against external chaos.</p>\n<p><strong>2. YU-topia</strong> (Secular Modernism &amp\; Post-Socialist Memory)</p>\n<p>Examining 20th-century Yugoslav socialist federalism (1945&ndash\;1990).<br>Themes: Industrial heritage\, collective memory\, statecraft\, and the decay of mid-century ideological structures.</p>\n<p><strong>3. EU-topia</strong> (Technocratic &amp\; Supranational Integration)</p>\n<p>Investigating contemporary European governance from its administrative centre in Brussels.<br>Themes: Confronting democratic deficits\, market pressures\, security concerns\, and top-down policy mechanisms in contemporary Europe.</p>\n<p><strong>03. Dual Parallel Nodes</strong></p>\n<p>Activities will take place in both locations throughout the two-year lifecycle of the project\, allowing cross-pollination between local contexts and broad continental debates:  <strong>Node A: Brussels (Belgium)</strong></p>\n<p>Focus &amp\; Character: Supranational policy\, contemporary technocracy\, European civil society\, and global networks.Key Spatial &amp\; Historical Vectors: Policy centres\, urban public spaces\, post-industrial venues\, and academic institutions in the EU capital.</p>\n<p><strong>Node B: Brijuni/Pula (Croatia)</strong></p>\n<p>Focus &amp\; Character: Micro-enclosures\, environmental engineering\, industrial memory\, and historical statecraft.<br>Key Spatial &amp\; Historical Vectors: The Byzantine Castrum\, Paul Kupelwieser&rsquo\;s island transformation (including the Robert Koch quarry memorial)\, and socialist architectural monuments.</p>\n<p><strong>04. Collaboration Formats</strong></p>\n<p>U-TOPIA invites collaboration across three distinct sectors:</p>\n<p><strong>1. Academic &amp\; Research Sector (Universities &amp\; Institutes)</strong> Activities: Keynote lectures\, thematic symposia\, research presentations\, panel discussions\, and interdisciplinary workshops.</p>\n<p><strong>2. Creative &amp\; Cultural Sector (Artists\, Curators &amp\; Performers)</strong> Activities: Site-specific installations\, soundscape art\, audiovisual works\, performances\, and digital media.</p>\n<p><strong>3. Civil Sector &amp\; Public Sphere (NGOs\, Foundations &amp\; Civic Groups)</strong> Activities: Public debates\, roundtables\, policy workshops\, and participatory interventions.</p>\n<p><strong>05. Call for Expression of Interest</strong></p>\n<p>Pluartis invites academic institutions\, cultural organisations\, civil sector entities\, and independent researchers and artists to join as project partners\, co-organisers\, or contributors. At this development stage\, collaborators have the opportunity to co-design thematic panels\, symposia\, and site-responsive interventions across Brussels and Brijuni before the full project calendar is finalized.  Detailed calls for participation\, thematic tracks\, and event schedules will be published in early 2027. To explore preliminary collaboration or arrange an introductory dialogue\, please get in touch with our team below.</p>\n<p><strong>Deadline: 27 November 2026</strong></p>\n<p><strong>06. Contact</strong></p>\n<p>Pluartis<br>Centre for Advancing Knowledge &amp\; Culture<br>Avenue des Arts 56<br>1000 Brussels\, Belgium</p>\n<p>Project Coordinator: Ljupce STOJKOVSKI</p>\n<p>Phone: +32 471 91 90 87<br>Email: oﬀice@pluartis.com<br>Website: pluartis.com</p>
ORGANIZER;CN=Ljupce Stojkovski:
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