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BEGIN:VEVENT
DTSTAMP:20260611T232755Z
DTSTART;TZID=Europe/Berlin:20120524T110000
DTEND;TZID=Europe/Berlin:20120527T180000
SUMMARY:The Actuality of German Idealism: Form - Judgment - Experience
UID:20260618T115534Z-iCalPlugin-Grails@philevents-web-bd7db559-gt5qm
TZID:Europe/Berlin
LOCATION:Otto-von-Simson-Str. 26\, Berlin\, Germany\, 14195
DESCRIPTION:<p>The project of German Idealism\, in its historical as well as in its&nbsp\;systematical&nbsp\;character\, marks an overcoming of disciplinary boundaries. Not only does it&nbsp\;represent a certain challenging of the traditional philosophical inventory of&nbsp\;knowledge\; in its discussions of the anthropological\, ethical\, political\,&nbsp\;religious&nbsp\;and aesthetical it also combines questions of the most different range.&nbsp\;Today\, it is&nbsp\;in particular in current discourses on aesthetics\, that the implicit as&nbsp\;well as the&nbsp\;explicit reference to German Idealism is remarkable. The governing&nbsp\;question of the&nbsp\;conference focuses on this recurrence\, the Actuality of German Idealism&nbsp\;especially&nbsp\;in aesthetics : How to diagnose the consequences of the resurgences of German&nbsp\;Idealism within theories of the aesthetical? Does the recurrence of German&nbsp\;Idealism&nbsp\;put the contours of particular disciplines as well as their common&nbsp\;foundations into&nbsp\;question again?<br><br>The conference does therefore focus on the Actuality of German Idealism in&nbsp\;the sense&nbsp\;of its relevance for the present. In this context the conference aims at&nbsp\;the virtual&nbsp\;crossing point between the particular disciplines and the different&nbsp\;traditions of&nbsp\;theory. It seeks to examine the potential and actuality of German Idealism&nbsp\;first and&nbsp\;foremost with respect to contemporary aesthetics\, and to take an analysis of&nbsp\;singular art phenomena and their multiple relations to political\, epistemic\,&nbsp\;philosophical questions and questions of the life sciences as a starting&nbsp\;point.&nbsp\;Therefore the conference&rsquo\;s main aim is to establish the contours of a shared&nbsp\;question throughout the disciplines\, by means of confronting the most&nbsp\;different&nbsp\;traditions and theories\, and to thus properly grasp the contemporary&nbsp\;recurrence of&nbsp\;German Idealism.<br><br>Conference language is English.</p>\n<p>Rooms: L115\, L116<br><br><strong>Program:</strong><br><strong>24.05. Thursday</strong><br><br>13h30: Introduction (Room: L 115)<br><br>14h15-16h30 (Panel A\, Room: L 115)<br>Rachel Zuckert<br>Herder and the "Late Modern" System of the Arts<br>Daniel M. Feige<br>Beyond the Logic of the Possible - Constraints of Hegel&rsquo\;s System of the Arts<br><br>14h15-16h30 (Panel B\, Room: L 116)<br>Sebastian R&ouml\;dl<br>The Science of Logic as the Form of Knowledge<br>Hans Stauffacher<br>Wounding Blows and Aesthetic Narcissism: German Idealism and its Revenants<br><br>17h00-18h30 (Room: L 116)<br>Howard Caygill<br>Clausewitz and the Critique of Idealism<br><br><strong>25.05. Friday</strong><br><br>10h30-12h45 (Panel A\, Room: L 115)<br>Eva Geulen<br>Fates of Goethe's morphology in the 20th Century (Simmel and Benjamin)<br>Mark Potocnik<br>Subjectivity in Schiller's Maid of Orleans<br><br>10h30-12h45 (Panel B\, Room: L 116)<br>Albrecht Riethm&uuml\;ller<br>Music in Hegel's Aesthetics: The Centre of the Romantic Arts<br>Alessandro Bertinetto<br>Absolute Music and Absolute's Music. The Meaning of Music in German Idealism<br><br>15h00<br>David Carr (Room: L 116)<br>Experience\, Subjectivity and History: German Idealism and Beyond<br><br>16h30-18h45 (Panel A\, Room: L 115)<br>Gertrud Koch<br>The Ghost of the Oldest System Program of German Idealism in the Newest<br>Film Theories<br>Lisa Akervall<br>Becoming Visionary: A Differential Theory of the Faculties in Cinema<br><br>16h30-18h45 (Panel B\, Room: L 116)<br>Rahel Jaeggi<br>Freedom as Non-Alienation - Hegel's "Objective" Critique of Ethical Life<br>Frank Ruda<br>Dialectics\, Contradiction\, Iteration. Thinking by Dividing (Hegel)<br><br>19h15 (Romm: L 116)<br>Thierry De Duve<br>Updating Genius &ndash\; Some philosophical Musings on Eric Cameron's Thick<br>Paintings<br><br><strong>26.05. Saturday</strong><br><br>10h30-12h45 (Panel A\, Room: L 115)<br>Christoph Menke<br>Second Nature: The "Lapse" of Spirit<br>Georg W. Bertram<br>Kant and Hegel on Aesthetic Reflection<br><br>10h30-12h45 (Panel B\, Room: L 116)<br>Sally Sedgwick<br>On the Status of the Narrative Form of Hegel's "Philosophy of History&rdquo\;<br>Gunnar Hindrichs<br>Pure Forms of Thought<br><br>15h00 (Room: L 116)<br>James Conant<br>An Outline of a Reading of the B Deduction<br><br>16h30-18h45 (Panel A\, Room: L 115)<br>Thomas Hilgers<br>Schiller's Political Aesthetics<br>Brigitte Hilmer<br>The Dreams of a Spirit-Seer and the Limits of an Aesthetic Judgment Community<br><br>16h30-18h45 (Panel B\, Room: L 116)<br>Jan V&ouml\;lker<br>For the Time Being<br>Rado Riha<br>The Second Copernican Turn in Kant's Third Critique<br><br>19h15 (Room: L 116)<br>Mladen Dolar<br>Hegel&rsquo\;s Atom: The One\, The Void and the Subject<br><br><strong>27.05. Sunday</strong><br><br>10h30-12h45 (Panel A\, Room: L 115)<br>Christiane Voss<br>The Aesthetic Dynamic of Migrating Transcendentalism<br>Alenka Zupancic<br>Kant and the Imperative<br><br>10h30-12h45 (Panel B\, Room: L 116)<br>Hans Thies Lehmann<br>Heartbreaking Melancholy\, Peaceful Tragic? - A view from Today on Hegel's<br>View on Drama and Theater<br>Richard Eldridge<br>"To Think Exactly and Courageously": Poetry\, Ingeborg Bachmann's Poetics\,<br>and her Bohemia Poem<br><br>13h00 (Room: L 116)<br>David Wellbery<br>On the Idealist Concept of Endogenous Form</p>\n<p>Organized in the frame of the CRC 626 Aesthetic Experience and the&nbsp\;Dissolution of Artistic Limits by Daniel M. Feige\, Mark Potocnik\, Frank&nbsp\;Ruda und Jan V&ouml\;lker<br><br>Contact:&nbsp\;Germanidealism@web.de</p>
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