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VERSION:2.0
CALSCALE:GREGORIAN
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BEGIN:VEVENT
DTSTAMP:20260927T224756Z
DTSTART;TZID=Europe/London:20181110T050000
DTEND;TZID=Europe/London:20181111T120000
SUMMARY:Casts and Casting: Perspectives from Aesthetics and Philosophy of Art. A workshop supported by the British Society of Aesthetics.
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TZID:Europe/London
LOCATION:de Havilland Campus\, Hatfield\, United Kingdom\, AL10 9EU
DESCRIPTION:<p><strong>Casts and Casting: Perspectives from Aesthetics and Philosophy of Art. A workshop supported by the British Society of Aesthetics.</strong></p>\n<p>Saturday 10th November &amp\; Sunday 11th November 2018</p>\n<p>University of Hertfordshire\, de Havilland Campus\, Hatfield\, AL10 9EU.</p>\n<p>To register\, please email <a href="mailto:c.bourne@herts.ac.uk">c.bourne@herts.ac.uk</a> by 1st November. Registration is free.</p>\n<p>This workshop focuses on philosophical questions arising from the casting of particular actors in particular roles in\, e.g.\, film\, television and theatre. Papers will consider topics including the relationships of casting to fictional truth and to audience engagement\, the aesthetic evaluation of individual instances of casting or of broader casting practices\, and the relationship between diversity in casting and philosophical theories of artistic representation.</p>\n<p><strong>PROGRAMME</strong></p>\n<p><strong>Saturday 10th November</strong></p>\n<p>9.30-10.30: Nils-Hennes Stear (Philosophy\, University of Southampton) <strong><em>Casting Aspersions</em></strong></p>\n<p>10.35-11.35: Catharine Abell (Philosophy\, University of Manchester)<em> <strong>Non Traditional Casting and the Norms of Realism</strong></em></p>\n<p>11.45-12.45: Connell Vaughan (Dublin School of Creative Arts\, Dublin Institute of Technology) <strong><em>Player Selection in Sport\; From Eligibility to Style</em></strong></p>\n<p>12.45-13.25: Lunch</p>\n<p>13.25-14.25: Kathleen Stock (Philosophy\, University of Sussex)\, <strong><em>Actors as Props and Imaginative &lsquo\;Forgetting&rsquo\;</em></strong></p>\n<p>14.30-15.30: Anna Blackwell (Centre for Adaptations\, De Montfort University)\, <strong><em>&lsquo\;And\, hark\, what discord follows!&rsquo\;: Casting </em>The Hollow Crown<em> for pre- and post-Brexit Britain</em></strong></p>\n<p>15.45-16.45: Victor I. Ukaegbu (Theatre\, University of Bedfordshire) <strong><em>The Actor's Body as&nbsp\;</em></strong><strong>K<em>&nbsp\;</em></strong><strong><em>(Constant) in Disruptions of Aesthetic and Cultural Norms in Performance</em></strong></p>\n<p>16.50-17.50: Beccy Collings (Film\, Television and Media\, UEA)\, <strong><em>&lsquo\;The more you know!&rsquo\; &ndash\; The Power of the Performer in Dark Sketch Comedy</em></strong></p>\n<p><strong>Sunday 11 November</strong></p>\n<p>9.00-10.00: Richard Hanley (Philosophy\, University of Delaware) <strong><em>Casting\, Make-Believe\, and Fictional Truth</em></strong></p>\n<p>10.05-11.05: Craig Bourne &amp\; Emily Caddick Bourne (Philosophy\, University of Hertfordshire) <strong><em>The Contexts of Fictional Truth</em></strong> [Including a pause at 11am for the Armistice Day two minute silence]</p>\n<p>11.15-12.15: Michael P. Young (Film\, Theatre and Television\, University of Reading) <strong><em>Casting Antiheroines &ndash\; Female Leads in Television Political Thrillers</em></strong></p>\n<p>12.15-12.55: Lunch</p>\n<p>12.55-13.55: Lin Feng (History of Art and Film\, University of Leicester)<em> <strong>Finding Next Star: Femininity\, Casting and Post-Revolutionary Aesthetics in the 1980s&rsquo\; Chinese Cinema</strong></em></p>\n<p>14.00-15.00: Enrico Terrone (Philosophy\, University of Turin/University of Barcelona)&nbsp\;<strong><em>Recasted Characters as Malfunctioning Artefacts</em></strong></p>\n<p><strong></strong>Please email <a href="mailto:c.bourne@herts.ac.uk">c.bourne@herts.ac.uk</a> with any questions. We are grateful for funding from the British Society of Aesthetics.</p>
ORGANIZER;CN=Craig Bourne;CN=Emily Caddick Bourne:
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