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CALSCALE:GREGORIAN
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BEGIN:VEVENT
DTSTAMP:20260917T150003Z
DTSTART;TZID=Europe/London:20120217T090000
DTEND;TZID=Europe/London:20120217T090000
SUMMARY:Music and Philosophy: Meaning and Ineffability
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TZID:Europe/London
LOCATION:Strand\, London\, United Kingdom
DESCRIPTION:<p>The RMA Music and Philosophy Study Group warmly invites paper \nsubmissions for this two-day international conference\, to be held in \nLondon on 20-21 July 2012. The event\, the second of an annual series of \nconferences run by the Study Group\, will offer an opportunity for those \nwith an interest in music and philosophy to share and discuss work\, in \nthe hope of furthering dialogue in this area. Paper submissions on all \ntopics related to the area of music and philosophy are welcome\, but in \nparticular those relating to this year&rsquo\;s optional theme of &lsquo\;Meaning and \nineffability&rsquo\;. Collaboration between persons from different disciplines \nwould be especially welcomed.<br> <br> In addition to papers relating to the conference theme\, topics of interest might include (but are not limited to):<br> <br> - perception and expression<br> - music and memory<br> - music and everyday life<br> - music and ethics<br> - music and ontology<br> - the philosophy of rhythm<br> - performance\, authenticity\, and interpretation<br> <br> Conference theme 2012: &lsquo\;Meaning and ineffability&rsquo\;<br> <br> Musical meaning and ineffability have engaged both musicologists and \nphilosophers for decades\, resulting in a variety of approaches and \ndebates. While both challenging and elusive\, both concepts bear witness \nto musicological and philosophical endeavours to ascertain what might be\n meaningful and sayable &lsquo\;about&rsquo\; music\, and whether (and/or how) music is\n able to speak for itself in ways that can be world-disclosive. This \nyear&rsquo\;s (optional) theme seeks to encourage further debate about the \npossibilities and limitations within the area of &lsquo\;musical meaning and \nineffability&rsquo\;: while seeking to explain music\, where do musicological \nand philosophical discussions fall short\, and why? Are there ways of \n&lsquo\;doing justice&rsquo\; to what music does and &lsquo\;says&rsquo\;\, and do scholars have \nethical commitments to continue to reflect and explain?<br> <br> Proposals of up to 500 words are invited for individual papers (20 minutes) and collaborative papers (up to 30 minutes).<br> <br> Please submit proposals by email in a word document attachment: <a href="mailto:conference2012@musicandphilosophy.ac.uk">conference2012@musicandphilosophy.ac.uk</a><br> <br> The deadline for proposals is Friday 17 February.</p>
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