Screen Bodies: The Journal of Embodiment\, Media Arts\, and Technology \;invites submissions to be considered for a forthcoming general issue. We welcome work that focuses on matters of embodiment in media arts from any of the disciplinary or methodological perspectives described below. Research articles are typically between 6k&ndash\;9k words. Please see our website for details about the inclusion of artwork/images (www.berghahnjournals.com/submissions).
\nScreen Bodies \;is a multidisciplinary peer-reviewed journal that is devoted to the interface of art\, science\, and technology. The journal&rsquo\;s aim is to examine how bodies engage with and are engaged by screens\, as well as how bodies are represented on screens. It features critical\, theoretical\, and empirical methods used in the diverse fields comprising the humanities\, social sciences\, computer science\, communications\, and the arts.
\nScreen Bodies \;is a publication where scholars\, creators\, and scientists come together to map new media ecologies with an eye toward the aesthetic\, ethical\, and political dimensions of emerging technologies as well as to matters of design\, programming\, engineering\, and performance.
\nAreas of focus include but are not limited to: media arts\, cinema\, intermediality\, human-machine interface\, virtual and augmented reality\, interactivity and virtuality\, smart spaces\, machine learning\, computer vision\, generative and computational \;art\, biotechnology\, motion capture\, artificial intelligence\, UX\, IoT\, social robots\, gaming\, and digital humanities.
\nManuscripts submissions and book reviews should be submitted to Andrew J. Ball at \;screenbodies@berghahnjournals.com \;by \;February 1\, \;2021. \;For more information\, including the style guide\, visit \;www.berghahnjournals.com/screen-bodies. \;
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