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DTSTAMP:20260609T125600Z
DTSTART;TZID=Europe/Warsaw:20131128T090000
DTEND;TZID=Europe/Warsaw:20131130T170000
SUMMARY:Word in the Cultures of the East: Sound – Language – Book
UID:20260611T023243Z-iCalPlugin-Grails@philevents-web-bd7db559-gt5qm
TZID:Europe/Warsaw
LOCATION:Kraków\, Poland
DESCRIPTION:<p>It is our great honour to announce the third conference on the&nbsp\;Eastern thought\, which will be organised on 28-30th November 2013 by&nbsp\;the Eastern Philosophy Section of the Philosophy of Culture&nbsp\;Department at the Jagiellonian University in Krak&oacute\;w. This year&rsquo\;s&nbsp\;meeting will be dedicated to the issues of sound\, language and book&nbsp\;which\, although frequently featuring in contemporary Western thought\,&nbsp\;are rarely and still insufficiently addressed through their long&nbsp\;lasting reflection in the Eastern cultures. Continuing the tradition&nbsp\;established by our two highly successful conferences held in 2009 and&nbsp\;2011\, we would like to invite scholars who conduct research into&nbsp\;cultures\, religions\, and philosophies of the East (India\, China\,&nbsp\;Japan\, Tibet\, Korea\, and the Middle East)\, as well as those who are&nbsp\;interested in the mutual influences between the East and the West.<br><br>Unquestionably\, language is one of the central themes in contemporary&nbsp\;philosophical\, cognitive and cultural thought in the West. Having&nbsp\;been researched from many different points of view\, language appears&nbsp\;both as a logical tool\, a means of thinking or a medium of&nbsp\;communication and as a creative factor within culture. Being a&nbsp\;strictly human phenomenon\, language has always sparkled interest &ndash\;&nbsp\;the Western civilisation is certainly not the first to explore it.&nbsp\;Yet although it is broadly acknowledged that the Western linguistics&nbsp\;owes its modern development to the Sanskrit grammarians\, in case of&nbsp\;other aspects of language it seems that the Western thinkers prefer&nbsp\;to reinvent the wheel rather than to ask the ancients. Our goal in&nbsp\;this conference is to show all the richness of the speculations\,&nbsp\;conceptions and solutions concerning language through various Eastern&nbsp\;philosophies and cultures.<br><br>Sound<br><br>Starting at the same point where the Indian grammarians begin their&nbsp\;science of language\, we will first address THE SOUND. Just as&nbsp\;phonemes are the basis of language\, so the sound in general can be&nbsp\;seen as one of the foundations of the phenomenal world. Thus we ask&nbsp\;the following questions:</p>\n<ul>\n<li>&nbsp\;What ontologies of sound Eastern philosophies offer? In what modus&nbsp\;does sound exist? How is it connected with other dimensions of&nbsp\;reality?</li>\n<li>How is the sound perceived? What are the functions of sonic&nbsp\;cognitions?</li>\n</ul>\n<p>In the oral cultures &ndash\; such as the Vedic India - sound is very&nbsp\;strongly connected with acquiring and passing the knowledge. How does&nbsp\;it influence the conceptions of sound\, cognition\, and knowledge itself? In Chinese\, the term sheng or &lsquo\;sage&rsquo\; refers to the faculty of&nbsp\;hearing\, whereas in Sanskrit\, the revealed knowledge is called śruti\,&nbsp\;&lsquo\;heard&rsquo\;. Contrary to most of European languages\, the Eastern concept&nbsp\;of &lsquo\;knowledge&rsquo\; does not refer to the faculty of seeing. What are the&nbsp\;consequences of the relationship of knowledge to the sense of hearing?<br><br>Music<br><br>One of the exceptional sound types\, ineradicably present in the human&nbsp\;world\, is MUSIC &ndash\; which\, although recognized universally by all the&nbsp\;civilizations\, is nevertheless defined\, valued and practiced in many&nbsp\;disparate ways. Let us consider the following problems in the field&nbsp\;of music:</p>\n<ul>\n<li>What is music? What are the differences between the answers given&nbsp\;by philosophers\, aestheticians\, musicologists or musicians? How does&nbsp\;music exist\, where does it come from\, what is it grounded on?</li>\n<li>What are its functions &ndash\; does music have a purpose? How and why is&nbsp\;it created and listened to?</li>\n<li>What is its role and position in a culture and society? In what&nbsp\;dimensions of the human life\, in what kind of activities it is used?</li>\n</ul>\n<p>The Chinese culture and languages specialists know that one of the&nbsp\;most striking factors influencing notions of sound in general and&nbsp\;music in particular is the fact that Chinese languages are tonal.&nbsp\;What is the impact of this fact on the development of music and its&nbsp\;notions?<br><br>How can we describe the differences in musical paradigms? How does a&nbsp\;culture condition the perception and creation of music? It is obvious&nbsp\;that development of music followed different patterns in Europe and&nbsp\;in Asia. In Europe the most important component was the structure of&nbsp\;musical pieces\, which resulted in the development of polyphony and&nbsp\;functional harmony in dur-moll system. In Asia the development of&nbsp\;music followed different paths. Do the differences between the&nbsp\;European and the Asian music result from differences in paradigms\,&nbsp\;or\, as some Europeans maintain\, from the lack of any development in&nbsp\;the music of the Far East?<br><br>Word<br><br>Another particularly human kind of sound is a WORD. All civilizations&nbsp\;are\, in one or other way\, cultures of the word - be it oral or&nbsp\;written. In this section of our conference we would like to consider&nbsp\;human being as a verbal being and the human culture as a word-world.<br><br></p>\n<ul>\n<li>Let us start with ontology again - how does a word exist? What kind&nbsp\;of being is it? Is a word a symbol? How does it function?</li>\n<li>What can be the word&rsquo\;s role in a society or a culture? How does it&nbsp\;function as an element of culture and as a vehicle for cultural&nbsp\;communication?</li>\n<li>What are the peculiarities of oral cultures?</li>\n<li>How different cultures recognize and define capabilities of the&nbsp\;word\, be it rhetoric\, eristic or sophistic?</li>\n<li>Can we talk of a performative power of words &ndash\; such as is the case&nbsp\;with spells\, curses\, prayers\, mantras? How are they understood and&nbsp\;explained? What is the function of words unuttered (taboo)?</li>\n<li>How is the word stored? Why are the mnemotechnics invented in&nbsp\;different cultures so diversewhether they are based on meaning\, on&nbsp\;sound\, or on rhythm? What does it tell us about the respective&nbsp\;cultural backgrounds?</li>\n<li>Do (and how) words influence social structure? How do linguistic&nbsp\;forms create and define social hierarchy?</li>\n</ul>\n<p>Writing<br><br>An indispensable part of the reflection on word and language is the&nbsp\;question of WRITING and written texts. Not only our civilisation - as&nbsp\;based partly on Judeo-Christian religion - is a civilisation of the&nbsp\;Book. Other cultures also consider books - and Books - as their point&nbsp\;of reference. Let us consider various themes connected with writing:</p>\n<ul>\n<li>Graphic signs of language - icons\, ideograms\, letters: how do they&nbsp\;convey meaning and what kind of meaning is it? What is their&nbsp\;symbolic value? How do they function in society\, science\, religion\,&nbsp\;art?</li>\n<li>Calligraphy as a cultural phenomenon - is it just a kind of&nbsp\;painting? What can be its role and function in culture?</li>\n<li>Writing as a cultural production and text as an artefact: what is&nbsp\;its contribution to culture? What roles can a text play?</li>\n</ul>\n<p>There is no need to mention the well recognized difference between&nbsp\;oral and written cultures. How does the attitude to writing influence&nbsp\;various cultures\, their auto-definition\, hierarchies and identities?&nbsp\;What significance for a culture has the fact of recognizing literary&nbsp\;and demotic languages?<br><br>Language<br><br>The final section of the conference will focus on the main theme of&nbsp\;our interest - the LANGUAGE. Surprisingly enough for the Western&nbsp\;world\, philosophies of language existed in many cultures for long&nbsp\;millennia. Yet we still do not benefit from them as much as they&nbsp\;deserve it. Let us then reflect on the Eastern philosophies of&nbsp\;language through the consideration of the following fields:</p>\n<ul>\n<li>Metaphysics / ontology of language: how does language exist\, what&nbsp\;are its components\, structures and mechanisms?</li>\n<li>Words and sentences: what is their mutual relation and dependence?&nbsp\;What is the basic unit of language?</li>\n<li>Functions of language - communicative\, prescriptive\, performative and what more?</li>\n<li>What is the meaning of language? How do words relate to the world?&nbsp\;How do they convey their meaning? Where does an understanding of&nbsp\;language stem from? On what depends the understanding of language?&nbsp\;How is it acquired?</li>\n<li>Language as a cognitive means: how is it related to thought? Is&nbsp\;thinking a purely linguistic phenomenon? Or is language more of a&nbsp\;handicap in the processes of thinking proper and of gaining the&nbsp\;truth?</li>\n<li>Philosophies of grammar\, linguistic worldviews: is there any&nbsp\;connection between the structure of language and the structure of&nbsp\;the world?</li>\n<li>How is language intertwined with human activity? Does it (and how)&nbsp\;influence social patterns?</li>\n</ul>\n<p>There is no registration fee. All participants are also invited to&nbsp\;the Closing Dinner on Saturday the 30th of November.<br><br>The Organizers do not provide accommodation. However\, we will&nbsp\;recommend some good places to stay in Krak&oacute\;w. The relevant&nbsp\;information will soon appear on our website.<br><br>For more information contact:&nbsp\;malgorzata.ruchel@uj.edu.pl</a><br><br>Conference website:<br><br></p>
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