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VERSION:2.0
CALSCALE:GREGORIAN
METHOD:PUBLISH
BEGIN:VEVENT
DTSTAMP:20260424T223651Z
DTSTART;TZID=Europe/London:20260506T180000
DTEND;TZID=Europe/London:20260506T180000
SUMMARY:“Tracing Genealogy” — Warwick Continental Philosophy Conference 2026
UID:20260426T065702Z-iCalPlugin-Grails@philevents-web-6b96c54f56-bljdq
TZID:Europe/London
LOCATION:Coventry\, United Kingdom\, CV4 7AL
DESCRIPTION:<p><strong>CALL FOR PAPERS</strong></p>\n<p><strong>Warwick Annual Continental Philosophy Conference<em> (WCPC)</em></strong></p>\n<p><em>Tracing Genealogy</em><strong><em></em></strong></p>\n<p><strong><em>&nbsp\;</em></strong></p>\n<p><strong>Event Type</strong>: Graduate Conference (On-site)</p>\n<p><strong>Location</strong>: University of Warwick\, United Kingdom</p>\n<p><strong>Conference Dates</strong>: 29th&ndash\;30th June 2026</p>\n<p><strong>Topic Areas</strong>: Continental Philosophy\; Genealogy\; Nietzsche\; Foucault</p>\n<p><strong>Keynote Speakers</strong></p>\n<p>Alexander Prescott-Couch (University of Oxford)</p>\n<p>Catarina Dutilh Novaes&nbsp\;(Vrije Universiteit Amsterdam)<em></em></p>\n<p><strong>Conference Theme</strong></p>\n<p>Within Continental philosophy\, genealogy is most associated with <strong>Nietzsche&rsquo\;s </strong>critical historicisations and/or psychologisations of our moral practices and beliefs&mdash\;and with <strong>Foucault&rsquo\;s</strong> subsequent &lsquo\;histories of the present&rsquo\; investigations into the contingent development of contemporary institutions and the discourses surrounding them. However\, the notion of genealogy is not confined to the Nietzschean tradition. David Hume&rsquo\;s &lsquo\;experimental&rsquo\; enquiries into the origins of our religious and causal beliefs&mdash\;offering more traditional debunking arguments&mdash\;are also increasingly considered to come under its methodological umbrella.</p>\n<p>Conversely\, <strong>Bernard Williams</strong>\, drawing on Locke and Hobbes\, develops a <em>vindicatory</em> form of genealogy that seeks to legitimate our existing ethical virtues by uncovering the <em>genuine</em> moral and political needs they address. More recently\, Julian Ratcliffe has labelled a strand of contemporary Anglophone work&mdash\;associated with figures such as Brandom\, Dutilh Novaes\, and Queloz&mdash\;<em>rationalising genealogy</em>. This approach seeks to uncover normative commitments latent within existing conceptual resources\, thereby connecting genealogy to themes of Hegelian reconciliation and Carnapian conceptual engineering.</p>\n<p>The conference aims to bring together work that examines genealogical approaches and the fundamental questions they raise about critique\, normativity\, historical explanation\, and philosophical method\, highlighting their continuing importance across Continental and Anglophone philosophy.</p>\n<p>For detailed information and further instruction\, please visit: <a href="https://warwick.ac.uk/fac/soc/philosophy/research/activities/postkantian/events/wcpc/">https://warwick.ac.uk/fac/soc/philosophy/research/activities/postkantian/events/wcpc/</a></p>\n<p>For any enquiries\, please contact: <a href="mailto:wcpc@warwick.ac.uk">wcpc@warwick.ac.uk</a>.</p>\n<p><strong>Submission Guidelines</strong></p>\n<p>Your submission should include:</p>\n<p>1.&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; <strong>A fully anonymised paper</strong> suitable for a 30-min presentation (max. 3\,500 words\, excluding bibliography and/or abstract).</p>\n<p>2.&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; <strong>A&nbsp\;separate cover sheet</strong>&nbsp\;containing:</p>\n<p>o&nbsp\;&nbsp\; Name</p>\n<p>o&nbsp\;&nbsp\; Institutional affiliation</p>\n<p>o&nbsp\;&nbsp\; Contact information</p>\n<p>o&nbsp\;&nbsp\; Paper title</p>\n<p>o&nbsp\;&nbsp\; Brief biographical note&nbsp\;(max.&nbsp\;300 words).</p>\n<p>Please send all documents to the WCPC committee at <a href="mailto:wcpc@warwick.ac.uk">wcpc@warwick.ac.uk</a>. Please use &lsquo\;Submission: Tracing Genealogy&rsquo\; in the subject line and title your submitted paper as follows:<em>&nbsp\;WCPC_short_title</em>&nbsp\;(e.g.:&nbsp\;<em>WCPC_Nietzsche&rsquo\;s_Genealogies</em>).</p>\n\n<p><strong>We also warmly welcome detailed abstracts that demonstrate strong relevance\, originality\, and a promising argument.</strong></p>\n<p><strong><br></strong></p>\n<p><strong>Submission &amp\; Notification Timeline</strong></p>\n<p>&middot\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Submission deadline: <strong>18:00 (GMT) on 6th May 2026</strong></p>\n<p>&middot\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Acceptance notification: <strong>15th May 2026</strong></p>\n<p><strong>&nbsp\;</strong></p>\n<p><strong>Travel Bursary </strong></p>\n<p><strong>Subject to funding\, a limited number of partial travel bursaries may be available.</strong><strong></strong>Applicants from junior\, non-traditional\, or underrepresented backgrounds are encouraged to indicate this in their cover sheets and will be given priority for support.</p>\n<p><strong>Organising Committee</strong></p>\n<p>Rozemin Keshvani (Lead Organiser)</p>\n<p>Keyu Qiu (Lead Organiser)</p>\n<p>Oscar Crocker</p>\n<p>Shifan Zhou</p>\n<p>Sam Ronalds</p>\n<p><strong>Additional Information</strong></p>\n<p>The WCPC is an annual event within The Centre for Research in Post-Kantian European Philosophy (University of Warwick). The organising committee adheres to the BPA and SWIP guidelines<strong> </strong>on equality\, diversity\, accessibility\, and environmental sustainability.&nbsp\;</p>
ORGANIZER;CN=Rozemin Keshvani;CN=Keyu Qiu;CN=Oscar Crocker;CN=Shifan Zhou;CN=Sam Ronalds:
METHOD:PUBLISH
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260424T223651Z
DTSTART;TZID=Europe/London:20260530T080000
DTEND;TZID=Europe/London:20260530T080000
SUMMARY:(Neo)Colonial Images and Literature: The Construction of the Other
UID:20260426T065703Z-iCalPlugin-Grails@philevents-web-6b96c54f56-bljdq
TZID:Europe/London
LOCATION:Gibbet Hill Road\, Coventry\, United Kingdom\, CV4 7AL
DESCRIPTION:<p><strong>SUBMISSION GUIDELINES</strong></p>\n<p>Abstracts of no more than 300 words should be submitted between&nbsp\;<strong>July 7th</strong>\, 2025\, and&nbsp\;<strong>October 15th</strong>\, 2025.</p>\n<p>Please include a short biography (100 words) and institutional affiliation with your submission.</p>\n<p>Approved abstracts will be informed by&nbsp\;<strong>December 2025</strong>.</p>\n<p>The final paper must be sent by&nbsp\;<strong>May 1st\, 2026</strong>\, for internal circulation.</p>\n<p>We invite scholars to submit proposals for our upcoming conference\, which will examine how colonial and neocolonial powers have influenced representations of non-Western countries and their peoples in literature\, the arts\, and the media. This event seeks to investigate how these representations have been instrumental in constructing negative stereotypes\, enforcing cultural hierarchies\, and sustaining hegemonic narratives that marginalise indigenous\, local\, and non-Western communities.</p>\n<p>Colonial and imperial discourses\, as &ldquo\;a cultural domination from abroad&rdquo\; (Da Silva &amp\; Matheus\, 2024)\, have long employed literary and artistic productions of Other Non-Western subjects\, portraying them as exotic\, primitive\, or even barbaric. From the portrayal of Native Brazilian Indigenous peoples as cannibals in Early Modern Portuguese colonial literature to the transformation of&nbsp\;<em>One Thousand and One Nights</em>&nbsp\;through Neoclassical French translations that distorted its original Arabic cultural context\, such narratives have served to reinforce Western dominance and justify subjugation.</p>\n<p>More recently\, in a postcolonial context\, various productions continue to operate in the shadows of (neo)colonialism and (neo)imperialism\, often carrying colonial overtones (Qiao\, 2018). Neocolonial cultural productions\, such as the French-directed<em>&nbsp\;Emilia P&eacute\;re</em>z (a film about Mexican drug cartels cast with American actors)\, continue to generate controversy over who has the authority to tell certain stories and how these depictions are received by the communities they claim to represent. Western agents (e.g. translators\, producers\, directors\, editors\, publishers\, and reviewers) stillreframe productions from the Global South through a (neo)colonial and (neo)orientalist lens\, constructing Western-centric narratives about these works\, their countries\, and their people. For example\, American and British agents often situate Chinese personal stories within Western dominant narratives of a &ldquo\;dark&rdquo\; and &ldquo\;dystopian&rdquo\; China\, translating them according to their hegemonic standards (Tan\, 2024).</p>\n<p>This conference will examine the mechanisms through which (neo)colonial powers have influenced literary\, artistic\, and media portrayals of non-Western subjects\, as well as their impacts on their self-identification. We seek to explore questions such as:</p>\n<ul>\n<li>How have colonial and imperial powers historically Other-ed Indigenous\, local\, and non-Western populations through literature\, arts\, and media\, and in what ways do contemporary neocolonial narratives continue toperpetuate (dis)similar stereotypes?</li>\n</ul>\n<ul>\n<li>What narratives and images are (re)framed\, and what methods and strategies have been used to construct these negative representations?</li>\n</ul>\n<ul>\n<li>How have the (neo)colonial situation of &ldquo\;special&rdquo\; or &ldquo\;overseas&rdquo\; territories\, such as Puerto Rico in the US\, or New Caledonia in France\, been portrayed\, and how have non-Western agents (e.g. writers\, translators\, artists\, and filmmakers) resisted it?</li>\n</ul>\n<ul>\n<li>How have different territories been variably or unilaterally represented by their former colonial powers in media and literature\, and what are the enduring consequences of colonial cultural influence and hegemony in their former colonial metropoles?</li>\n</ul>\n<p>We welcome proposals from a range of disciplines\, including but not limited to Literature\, History\, Film Studies\, Philosophy\, Translation Studies\, Cultural and (Post)colonial Studies<strong>\,</strong>&nbsp\;Journalism\, and Media Studies. Papers may address historical cases or contemporary examples and may take a comparative\, theoretical\, or case-study approach.</p>\n<p><strong>RELEVANT DETAILS</strong>&nbsp\;</p>\n<p>As an interdisciplinary conference\, it aims to capture the attention of scholars examining (neo)colonial representations and how perceptions of the Others are shaped through various media.</p>\n<p>This conference is tailored for national and international scholars\, students\, and early-career researchers interested in Literature\, Art\, Cultural Studies\, History\, Philosophy\, Sociology\, etc. As our conference will follow the&nbsp\;<em>Society for Latin American Studies&rsquo\;</em>&nbsp\;<a href="https://www.slasuk.org/climateactionplan">Climate Action Plan</a>\, we also warmly invite colleagues to endorse the&nbsp\;<a href="https://bpa.ac.uk/diversity/good-practice-scheme/">BPA/SWIP Good Practice Scheme</a>&nbsp\;and follow the&nbsp\;<a href="https://bpa.ac.uk/policies/">BPA Environmental Travel Policy</a>.</p>\n<p>The conference will take place in person at the University of Warwick on&nbsp\;<strong>May 30th\, 2026.</strong></p>\n<p>We look forward to your contributions and an engaging discussion.</p>\n<p><strong>Please\, send your abstract to both emails:&nbsp\;</strong></p>\n<p><em>Gustavo Ruiz da Silva:&nbsp\;</em><a href="mailto:gustavo.da-silva@warwick.ac.uk">gustavo.da-silva@warwick.ac.uk</a></p>\n<p><em>Xiaoyan Tan:&nbsp\;</em><a href="mailto:xiaoyan.tan@warwick.ac.uk">xiaoyan.tan@warwick.ac.uk</a></p>\n<p>No fees will be charged for this conference.</p>\n<p><strong>PUBLISHING OPPORTUNITY</strong></p>\n<p>The&nbsp\;<a href="https://www.routledge.com/Warwick-Series-in-the-Humanities/book-series/WSH?pg=1&amp\;so=pubdate&amp\;pp=24&amp\;view=grid&amp\;pd=published\,forthcoming">Warwick Series in the Humanities (with Routledge)</a>&nbsp\;publishes the varied and multidisciplinary outcomes of projects funded by the HRC. Following this tradition\, our conference will organise an edited volume based on the presented papers\, and offer its publication to Routledge.</p>
ORGANIZER;CN=Gustavo Ruiz da Silva;CN=Xiaoyan Tan:
METHOD:PUBLISH
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260424T223651Z
DTSTART;TZID=Europe/London:20260530T090000
DTEND;TZID=Europe/London:20260530T170000
SUMMARY:(Neo)Colonial Images and Literature: The Construction of the Other
UID:20260426T065704Z-iCalPlugin-Grails@philevents-web-6b96c54f56-bljdq
TZID:Europe/London
LOCATION:Gibbet Hill Road\, Coventry\, United Kingdom\, CV4 7AL
DESCRIPTION:<p><strong>SUBMISSION GUIDELINES</strong></p>\n<p>Abstracts of no more than 300 words should be submitted between&nbsp\;<strong>July 7th</strong>\, 2025\, and&nbsp\;<strong>October 15th</strong>\, 2025.</p>\n<p>Please include a short biography (100 words) and institutional affiliation with your submission.</p>\n<p>Approved abstracts will be informed by&nbsp\;<strong>December 2025</strong>.</p>\n<p>The final paper must be sent by&nbsp\;<strong>May 1st\, 2026</strong>\, for internal circulation.</p>\n<p>We invite scholars to submit proposals for our upcoming conference\, which will examine how colonial and neocolonial powers have influenced representations of non-Western countries and their peoples in literature\, the arts\, and the media. This event seeks to investigate how these representations have been instrumental in constructing negative stereotypes\, enforcing cultural hierarchies\, and sustaining hegemonic narratives that marginalise indigenous\, local\, and non-Western communities.</p>\n<p>Colonial and imperial discourses\, as &ldquo\;a cultural domination from abroad&rdquo\; (Da Silva &amp\; Matheus\, 2024)\, have long employed literary and artistic productions of Other Non-Western subjects\, portraying them as exotic\, primitive\, or even barbaric. From the portrayal of Native Brazilian Indigenous peoples as cannibals in Early Modern Portuguese colonial literature to the transformation of&nbsp\;<em>One Thousand and One Nights</em>&nbsp\;through Neoclassical French translations that distorted its original Arabic cultural context\, such narratives have served to reinforce Western dominance and justify subjugation.</p>\n<p>More recently\, in a postcolonial context\, various productions continue to operate in the shadows of (neo)colonialism and (neo)imperialism\, often carrying colonial overtones (Qiao\, 2018). Neocolonial cultural productions\, such as the French-directed<em>&nbsp\;Emilia P&eacute\;re</em>z (a film about Mexican drug cartels cast with American actors)\, continue to generate controversy over who has the authority to tell certain stories and how these depictions are received by the communities they claim to represent. Western agents (e.g. translators\, producers\, directors\, editors\, publishers\, and reviewers) stillreframe productions from the Global South through a (neo)colonial and (neo)orientalist lens\, constructing Western-centric narratives about these works\, their countries\, and their people. For example\, American and British agents often situate Chinese personal stories within Western dominant narratives of a &ldquo\;dark&rdquo\; and &ldquo\;dystopian&rdquo\; China\, translating them according to their hegemonic standards (Tan\, 2024).</p>\n<p>This conference will examine the mechanisms through which (neo)colonial powers have influenced literary\, artistic\, and media portrayals of non-Western subjects\, as well as their impacts on their self-identification. We seek to explore questions such as:</p>\n<ul>\n<li>How have colonial and imperial powers historically Other-ed Indigenous\, local\, and non-Western populations through literature\, arts\, and media\, and in what ways do contemporary neocolonial narratives continue toperpetuate (dis)similar stereotypes?</li>\n</ul>\n<ul>\n<li>What narratives and images are (re)framed\, and what methods and strategies have been used to construct these negative representations?</li>\n</ul>\n<ul>\n<li>How have the (neo)colonial situation of &ldquo\;special&rdquo\; or &ldquo\;overseas&rdquo\; territories\, such as Puerto Rico in the US\, or New Caledonia in France\, been portrayed\, and how have non-Western agents (e.g. writers\, translators\, artists\, and filmmakers) resisted it?</li>\n</ul>\n<ul>\n<li>How have different territories been variably or unilaterally represented by their former colonial powers in media and literature\, and what are the enduring consequences of colonial cultural influence and hegemony in their former colonial metropoles?</li>\n</ul>\n<p>We welcome proposals from a range of disciplines\, including but not limited to Literature\, History\, Film Studies\, Philosophy\, Translation Studies\, Cultural and (Post)colonial Studies<strong>\,</strong>&nbsp\;Journalism\, and Media Studies. Papers may address historical cases or contemporary examples and may take a comparative\, theoretical\, or case-study approach.</p>\n<p><strong>RELEVANT DETAILS</strong>&nbsp\;</p>\n<p>As an interdisciplinary conference\, it aims to capture the attention of scholars examining (neo)colonial representations and how perceptions of the Others are shaped through various media.</p>\n<p>This conference is tailored for national and international scholars\, students\, and early-career researchers interested in Literature\, Art\, Cultural Studies\, History\, Philosophy\, Sociology\, etc. As our conference will follow the&nbsp\;<em>Society for Latin American Studies&rsquo\;</em>&nbsp\;<a href="https://www.slasuk.org/climateactionplan">Climate Action Plan</a>\, we also warmly invite colleagues to endorse the&nbsp\;<a href="https://bpa.ac.uk/diversity/good-practice-scheme/">BPA/SWIP Good Practice Scheme</a>&nbsp\;and follow the&nbsp\;<a href="https://bpa.ac.uk/policies/">BPA Environmental Travel Policy</a>.</p>\n<p>The conference will take place in person at the University of Warwick on&nbsp\;<strong>May 30th\, 2026.</strong></p>\n<p>We look forward to your contributions and an engaging discussion.</p>\n<p><strong>Please\, send your abstract to both emails:&nbsp\;</strong></p>\n<p><em>Gustavo Ruiz da Silva:&nbsp\;</em><a href="mailto:gustavo.da-silva@warwick.ac.uk">gustavo.da-silva@warwick.ac.uk</a></p>\n<p><em>Xiaoyan Tan:&nbsp\;</em><a href="mailto:xiaoyan.tan@warwick.ac.uk">xiaoyan.tan@warwick.ac.uk</a></p>\n<p>No fees will be charged for this conference.</p>\n<p><strong>PUBLISHING OPPORTUNITY</strong></p>\n<p>The&nbsp\;<a href="https://www.routledge.com/Warwick-Series-in-the-Humanities/book-series/WSH?pg=1&amp\;so=pubdate&amp\;pp=24&amp\;view=grid&amp\;pd=published\,forthcoming">Warwick Series in the Humanities (with Routledge)</a>&nbsp\;publishes the varied and multidisciplinary outcomes of projects funded by the HRC. Following this tradition\, our conference will organise an edited volume based on the presented papers\, and offer its publication to Routledge.</p>
ORGANIZER;CN=Gustavo Ruiz da Silva;CN=Xiaoyan Tan:
METHOD:PUBLISH
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260424T223651Z
DTSTART;TZID=Europe/London:20260629T090000
DTEND;TZID=Europe/London:20260630T170000
SUMMARY:“Tracing Genealogy” — Warwick Continental Philosophy Conference 2026
UID:20260426T065705Z-iCalPlugin-Grails@philevents-web-6b96c54f56-bljdq
TZID:Europe/London
LOCATION:Coventry\, United Kingdom\, CV4 7AL
DESCRIPTION:<p>Within Continental philosophy\, genealogy is most associated with <strong>Nietzsche&rsquo\;s </strong>critical historicisations and/or psychologisations of our moral practices and beliefs&mdash\;and with <strong>Foucault&rsquo\;s</strong> subsequent &lsquo\;histories of the present&rsquo\; investigations into the contingent development of contemporary institutions and the discourses surrounding them. However\, the notion of genealogy is not confined to the Nietzschean tradition. David Hume&rsquo\;s &lsquo\;experimental&rsquo\; enquiries into the origins of our religious and causal beliefs&mdash\;offering more traditional debunking arguments&mdash\;are also increasingly considered to come under its methodological umbrella.</p>\n<p>Conversely\, <strong>Bernard Williams</strong>\, drawing on Locke and Hobbes\, develops a <em>vindicatory</em> form of genealogy that seeks to legitimate our existing ethical virtues by uncovering the <em>genuine</em> moral and political needs they address. More recently\, Julian Ratcliffe has labelled a strand of contemporary Anglophone work&mdash\;associated with figures such as Brandom\, Dutilh Novaes\, and Queloz&mdash\;<em>rationalising genealogy</em>. This approach seeks to uncover normative commitments latent within existing conceptual resources\, thereby connecting genealogy to themes of Hegelian reconciliation and Carnapian conceptual engineering.</p>\n<p>The conference aims to bring together work that examines genealogical approaches and the fundamental questions they raise about critique\, normativity\, historical explanation\, and philosophical method\, highlighting their continuing importance across Continental and Anglophone philosophy.</p>\n<p><em>&nbsp\;</em></p>\n<p>For detailed information and further instruction\, please visit: <a href="https://warwick.ac.uk/fac/soc/philosophy/research/activities/postkantian/events/wcpc/">https://warwick.ac.uk/fac/soc/philosophy/research/activities/postkantian/events/wcpc/</a></p>\n<p>For any enquiries\, please contact: <a href="mailto:wcpc@warwick.ac.uk">wcpc@warwick.ac.uk</a>.</p>\n<p>The WCPC is an annual event within The Centre for Research in Post-Kantian European Philosophy (University of Warwick). The conference complies with the BPA/SWIP guidelines for accessible conferences\, the BPA/SWIP good practice scheme for gender equality\, and the BPA environmental travel scheme (ETS).</p>
ORGANIZER;CN=Rozemin Keshvani;CN=Keyu Qiu;CN=Oscar Crocker;CN=Shifan Zhou;CN=Sam Ronalds:
METHOD:PUBLISH
END:VEVENT
END:VCALENDAR
