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DISCIPLINE FILOSOFICHE, XXXVII, 1, 2027: PHENOMENOLOGICAL ANALYSES OF EMOTIONS IN THEIR ONTOLOGICAL AND METAPHYSICAL IMPLICATIONS

Edited by Giuliana Mancuso

Over the past twenty years, scientific literature on emotions has grown enormously, and the same has occurred in philosophy. In light of the assumptions—often implicit—that guide scientific research programs, the wealth of their findings, and the explanatory hypotheses advanced on the basis of such observational and theoretical grounds, it is inevitable that philosophers ask what the specific contribution of philosophy to research on emotions might be, given the intertwining of physiological, expressive, behavioral, cognitive, evaluative, normative, and motivational components that emotions involve, as well as their social relevance. In other words, what does philosophy have to say about emotions in relation to what the natural and social sciences already tell us about them? The answers naturally vary depending on the conceptions one may hold of philosophy, but there is a particular philosophical tradition that appears especially well suited to addressing phenomena such as emotions in their characteristic two-fold nature as subjective, first-person experiences and at the same time as objective experiences that disclose aspects of the world—a two-fold structure that philosophical reflections on emotions have often sacrificed in favor of one aspect or the other. This tradition is phenomenology, understood not generically as an empirical investigation of “what it is like to feel,” but properly as the study of embodied consciousness in its directedness toward other subjects as well as toward objects, states of affairs, and events in the world. With respect to the contemporary philosophy of emotions as a chapter of the philosophy of mind in its relation to the cognitive sciences, the phenomenological approach in fact claims a primacy that is, first of all, temporal. Between the late nineteenth and the early twentieth centuries, emotions acquired centrality in philosophy primarily thanks to what Husserl described as an already existing method, of which Husserlian transcendental phenomenology conceived itself as “a certain radicalization” (HUA IX, 302). This was descriptive or phenomenological psychology, a philosophical research project on consciousness and its lived experiences that ran parallel and as an alternative to the experimental psychology of the time. Its main figures were Brentano, Stumpf, and Th. Lipps, and it was from this tradition that Husserl himself set out in his Logical Investigations. Under the influence of Husserl, it was then Lipps’s students and collaborators in Munich, and later Husserl’s in Göttingen, who defended the idea of a distinctive affective intentionality irreducible to that of other mental states such as beliefs, judgments, or desires. In their works they developed extraordinarily detailed eidetic analyses of particular classes of emotional experiences, their contents, and the themes connected with them—analyses that, in what is perhaps the most famous case, that of Max Scheler, culminated in a complex philosophical theory of emotional functions and acts, as well as of their objects, namely values. In subsequent developments of phenomenological philosophy, the role accorded to affectivity remained central in Heidegger, Sartre, Merleau-Ponty, Levinas, and Henry, as well as later in Hermann Schmitz’s “new phenomenology”—with its conception of emotions as spatially extended atmospheres that transcend the mind/body distinction and the distinction between psychophysically separate individuals—in Waldenfels’s “responsive phenomenology,” and, finally, in the numerous studies of recent years at the intersection of phenomenology and the cognitive sciences on classical phenomenological themes such as intersubjectivity, empathy, and the emotional forms of collective intentionality. In such a context, a renewed focus on emotions and values has been prompted by the publication, in 2020, of the Studien zur Struktur des Bewusstseins (HUA XLIII), which bring together analyses carried out by Husserl between 1909 and 1914 and subsequently in the first half of the 1920s. Against this background, Discipline filosofiche intends to devote a special issue to phenomenological analyses of emotions, past and present, and invites authors to submit contributions on the following topics:

1. The specific contribution of phenomenological analyses to philosophical research on emotions, in terms of method and expected results, and in comparison with what our best sciences tell us about emotions.
2. Typologies of emotions and their modes of givenness.
3. Emotions in their qualitative aspect as psychic and bodily lived experiences.
4. Emotions in their directedness toward peculiar objects, namely values.
5. Affective intentionality in its relation to other forms of intentionality.
6. Valueception [Wertnehmung] as an act distinct from emotions.
7. The ontological and metaphysical implications of admitting valueception, with regard both to consciousness and to values as the formal objects proper to affective consciousness.
8. Emotions and personal identity or character.
9. The role of emotions in the moral domain.
10. The role of emotions in the social domain.
11. Analyses of particular emotions and their specific objects.

Guidelines for the authors: Submissions should not exceed 9,000 words including abstract, refer-ences and footnotes. Manuscripts may be submitted in Italian, English, French, German, or Spanish. They must be sent as an email attachment in .doc or .docx format, along with a .pdf version, to Giuliana Mancuso ([email protected]). Submitted manuscripts will be sent to two independent reviewers, following a double-blind peer review process. The reviewers may ask authors to make changes or improvements to their contributions in view of publication. Authors are kindly requested to attach both an anonymous version of their contribution entitled “Manuscript” and a separate “Cover Page” stating their name, academic affiliation and contact details. Manuscripts must include an English abstract of less than 150 words and 5 keywords. Any property of the file that might identify the author must be removed to ensure anonymity during the review process. A notification of receipt will be issued for each submission. In drafting their text, authors can adopt any clear and coherent style, but should the text be accepted for publication, they will be required to send a final version in keeping with the style guidelines of the journal (please refer to the style guidelines at https://www.disciplinefilosofiche.it/en/norme-redazionali/). Submission of a manuscript is understood to imply that the paper has not been published before and that it is not being considered for publication by any other journal. Should the manuscript be accepted for publication, the author will be required to transfer copyrights to the University of Bologna. Requests to republish the article may be made to the Editorial Board of the Journal.

Deadline for the submission of manuscripts: January 16, 2027

Notification of acceptance, conditional acceptance, or rejection: March 15, 2027

Deadline for the submission of the final draft: April 20, 2027

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